In a small waiting-room at Blank Hospital
a girl was walking up and down, with quick,
impatient steps. Every few minutes she
stopped to listen; then, hearing no sound,
she resumed her walk, with hands clasped
and lips set firmly together. She was evidently
in a state of high nervous excitement,
for the pupils of her eyes were so dilated that
they flashed black as night instead of gray;
and a bright red spot burned in either cheek.
In the corner, in an attitude of anxious dejection,
sat a small dog. He had tried fol[12]lowing
his mistress at first, when she began
her walk, and finding that the promenade
took them nowhere and was very monotonous,
had tried to vary the monotony by
worrying her heels in a playful manner;
whereupon he had been severely reprimanded,
and sent into the corner, from
which he dared not emerge. He was trying,
with his usual lack of success, to fathom
the motives which prompted human beings
to such strange and undoglike actions, when
suddenly a door opened, and a lady and gentleman
came in. The girl sprang forward.
"Mamma!" she cried. "Doctor!"
"It is all right, my dear," said the doctor,
quickly; while the lady, whose name was Mrs.
Grahame, took the girl in her arms quietly,
and kissed her. "It is all right; everything
has gone perfectly, and in a few days your
lovely friend will be better than she has ever
been since she was a baby."[13]
Hildegarde Grahame sat down, and leaning
her head on her mother's shoulder, burst into
tears.
"Exactly!" said the good doctor. "The
best thing you could do, my child! Do you
want to hear the rest now, or shall I leave
it for your mother to tell?"
"Let her hear it all from you, Doctor,"
said Mrs. Grahame. "It will do her more
good than anything else."
Hildegarde looked up and nodded, and
smiled through her tears.
"Well," said the cheerful physician, "Miss
Angel (her own name is an impossibility, and
does not belong to her) has really borne the
operation wonderfully. Marvellously!" he
repeated. "The constitution, you see, was
originally good. There was a foundation to
work upon; that means everything, in a
case like this. Now all that she requires is
to be built up,—built up! Beef tea, chicken[14]
broth, wine jelly, and as soon as practicable,
fresh air and exercise,—there is your programme,
Miss Hildegarde; I think I can
depend upon you to carry it out."
The girl stretched out her hand, which he
grasped warmly. "Dear, good doctor!" she
said; whereupon the physician growled, and
went and looked out of the window.
"And how soon will she be able to walk?"
asked the happy Hildegarde, drying her eyes
and smiling through the joyful tears. "And
when may I see her, Doctor? and how does
she look, Mamma darling?"
"Place aux dames!" said the Doctor.
"You may answer first, Mrs. Grahame,
though your question came last."
"Dear, she looks like a white rose!" replied
Mrs. Grahame. "She is sleeping quietly,
with no trace of pain on her sweet face. Her
breathing is as regular as a baby's; all the
nurses are coming on tiptoe to look at her,[15]
and they all say, 'Bless her!' when they
move away."
"My turn now," said Dr. Flower. "You
may see her, Miss Hildegarde, the day after
to-morrow, if all goes well, as I am tolerably
sure it will; and she will be able to walk—well,
say in a month."
"Oh! a month!" cried Hildegarde, dolefully.
"Do you mean that she cannot walk
at all till then, Doctor?"
"Why, Hilda!" said Mrs. Grahame, in
gentle protest. "Pink has not walked for
fourteen years, remember; surely a month
is a very short time for her to learn in."
"I suppose so," said the girl, still looking
disappointed, however.
"Oh, she will begin before that!" said Dr.
Flower. "She will begin in ten days, perhaps.
Little by little, you know,—a step at
a time. In a fortnight she may go out to
drive; in fact, carriage exercise will be a[16]
very good thing for her. An easy carriage,
a gentle horse, a careful driver—"
"Oh, you best of doctors!" cried Hildegarde,
her face glowing again with delight.
"Mamma, is not that exactly what we want?
I do believe we can do it, after all. You see,
Doctor—Oh, tell him, Mammy dear! You
will tell him so much better."
"Hildegarde has had a very delightful plan
for this summer, Doctor," said Mrs. Graham,
"ever since you gave us the happy hope
that this operation, after the year of treatment,
would restore our dear Rose to complete
health. A kinswoman of mine, a very
lovely old lady, who lives in Maine, spent a
part of last winter with us, and became much
interested in Rose,—or Pink, as we used to
call her."
"But we don't call her so now, Mammy!"
cried Hildegarde, impetuously. "Rose is exactly
as much her own name, and she likes[17]
it much better; and even Bubble says it is
prettier. But I didn't mean to interrupt,
Mammy dear. Go on, please!"
"So," continued Mrs. Grahame, smiling,
"Cousin Wealthy invited the two girls to
make her a long visit this summer, as soon
as Rose should be able to travel. I am sure
it would be a good thing for the child, if you
think the journey would not be too much
for her; for it is a lovely place where Cousin
Wealthy lives, and she would have the best
of care."
"Capital!" cried Dr. Flower; "the very
thing! She shall be able to travel, my dear
madam. We will pack her in cotton wool if
necessary; but it will not be necessary. It
is now—let me see—May 10th; yes,
quite so! By the 15th of June you may
start on your travels, Miss Hildegarde. There
is a railway near your cousin's home, Mrs
Grahame?"[18]
"Within two or three miles," said Mrs.
Grahame; "and the carriage road is very
good."
"That is settled, then!" said Dr. Flower,
rising; "and a very good thing too. And
now I must go at once and tell the good
news to that bright lad, Miss Rose's brother.
He is at school, I think you said?"
"Yes," replied Hildegarde. "He said he
would rather not know the exact day, since
he could not be allowed to help. Good Bubble!
he has been so patient and brave,
though I know he has thought of nothing
else day and night. Thank you, Doctor,
for being so kind as to let him know.
Good-by!"
But when Dr. Flower went out into the
hall, he saw standing opposite the door a
boy, neatly dressed and very pale, with[19]
burning eyes, which met his in an agony of
inquiry.
"She is all right," said the physician,
quickly. "She is doing extremely well, and
will soon be able to walk like other people.
How upon earth did you know?" he added,
in some vexation, seeing that the sudden relief
from terrible anxiety was almost more
than the lad could bear. "What idiot told
you?"
Bubble Chirk gave one great sob; but the
next moment he controlled himself. "Nobody
told me," he said; "I knew. I can't
tell you how, sir, but—I knew!"[20]
CHAPTER II.
MISS WEALTHY.
It was the 17th of June, and Miss Wealthy
Bond was expecting her young visitors.
Twice she had gone over the house, with
Martha trotting at her heels, to see that
everything was in order, and now she was
making a third tour of inspection; not because
she expected to find anything wrong,
but because it was a pleasure to see that
everything was right.
Miss Wealthy Bond was a very pretty old
lady, and was very well aware of the fact,
having been told so during seventy years.
"The Lord made me pleasant to look at,"
she was wont to say, "and it is a great privi[21]lege,
my dear; but it is also a responsibility."
She had lovely, rippling silver hair, and soft
blue eyes, and a complexion like a girl's. She
had put on to-day, for the first time, her summer
costume,—a skirt and jacket of striped
white dimity, open a little at the neck, with
a kerchief of soft white net inside. This kerchief
was fastened with quite the prettiest
brooch that ever was,—a pansy, made of
five deep, clear amethysts, set in a narrow
rim of chased gold. Miss Wealthy always
wore this brooch; for in winter it harmonized
as well with her gown of lilac cashmere
as it did in summer with the white dimity.
At her elbow stood Martha; it was her place
in life. She seldom had to be called; but
was always there when Miss Wealthy wanted
anything, standing a step back, but close beside
her beloved mistress. Martha carried
her aureole in her pocket, or somewhere else
out of sight; but she was a saint all the same.[22]
Her gray hair was smooth, and she wore
spectacles with silver rims, and a gray print
gown, with the sleeves invariably rolled up
to the elbows, except on Sundays, when she
put on her black cashmere, and spent the
afternoon in uneasy state.
"I think the room looks very pretty,
Martha," said Miss Wealthy, for the tenth
time.
"It does, Mam," replied Martha, as heartily
as if she had not heard the remark before.
"Proper nice it looks, I'm sure."
"You mended that little place in the curtain,
did you, Martha?"
"I did, Mam. I don't think as you could
find it now, unless you looked very close."
"And you put lavender and orange-flower
water in the bottles? Very well; then that's
all, I think."
"'AND EVERYTHING IS RIGHT FOR SUPPER, MARTHA?'"
Miss Wealthy gave one more contented
look round the pretty room, with its happy[23]
rose-flowering chintz, its cool straw matting,
and comfortable cushioned window-seats, and
then drew the blinds exactly half-way down,
and left the room, Martha carefully closing
the door.
In the cool, shady drawing-room all was in
perfect order too. There were flowers in the
tall Indian vases on the mantelpiece, a great
bowl of roses on the mosaic centre-table, and,
as usual, a bunch of pansies on the little
round table by the armchair in which Miss
Wealthy always sat. She established herself
there now, and took up her knitting with a
little sigh of contentment.
"And everything is right for supper, Martha?"
she asked.
"Yes, Mam," said Martha. "A little
chicken-pie, Mam, and French potatoes, and
honey. I should be making the biscuit now,
Mam, if you didn't need me."
"Oh no, Martha," said the old lady, "I[24]
don't need anything. We shall hear the
wheels when they come."
She looked out of the window, across the
pleasant lawn, at the blue river, and seemed
for a moment as if she were going to ask
Martha whether that were all right. But
she said nothing, and the saint in gray print
trotted away to her kitchen.
"Dear Martha!" said Miss Wealthy, settling
herself comfortably among her cushions.
"It is a great privilege to have Martha. I
do hope these dear girls will not put her out.
She grows a little set in her ways as she
grows older, my good Martha. I don't think
that blind is quite half-way down. It makes
the whole room look askew, doesn't it?"
She rose, and pulled the blind straight,
patted a tidy on the back of a chair, and
settled herself among her cushions again,
with another critical glance at the river. A
pause ensued, during which the old lady's[25]
needles clicked steadily; then, at last, the
sound of wheels was heard, and putting her
work down in exactly the same spot from
which she had taken it up, Miss Wealthy
went out on the piazza to welcome her young
guests.
Hildegarde sprang lightly from the carriage,
and gave her hand to her companion
to help her out.
"Dear Cousin Wealthy," she cried, "here
we are, safe and sound. I am coming to kiss
you in one moment. Carefully, Rose dear!
Lean on me, so! there you are! now take
my arm. Slowly, slowly! See, Cousin
Wealthy! see how well she walks! Isn't
it delightful?"
"It is, indeed!" said the old lady, heartily,
kissing first the glowing cheek and then
the pale one, as the girls came up to her.
"And how do you do, my dears? I am
very glad indeed to see you. Rose, you[26]
look so much better, I should hardly have
known you; and you, Hilda, look like June
itself. I must call Martha—" But Martha
was there, at her elbow. "Oh, Martha!
here are the young ladies."
Hildegarde shook hands warmly with Martha,
and Rose gave one of her shy, sweet
smiles.
"This is Miss Hildegarde," said the old
lady; "and this is Miss Rose. Perhaps you
will take them up to their rooms now, Martha,
and Jeremiah can take the trunks up.
We will have supper, my dears, as soon as
you are ready; for I am sure you must be
hungry."
"Yes, we are as hungry as hunters, Cousin
Wealthy!" cried Hildegarde. "We shall
frighten you with our appetites, I fear. This
way, Martha? Yes, in one minute. Rose
dear, I will put my arm round you, and you
can take hold of the stair-rail. Slowly now!"[27]
They ascended the stairs slowly, and Hildegarde
did not loose her hold of her friend
until she had seated her in a comfortable
easy-chair in the pretty chintz bedroom.
"There, dear!" she said anxiously, stooping
to unfasten her cloak. "Are you very
dreadfully tired?"
"Oh no!" replied Rose, cheerfully; "not
at all dreadfully tired, only comfortably. I
ache a little, of course, but—Oh, what a
pleasant room! And this chair is comfort
itself."
"The window-seat for me!" cried Hildegarde,
tossing her hat on the bed, and then
leaning out of the window with both arms
on the sill. "Rose, don't move! I forbid
you to stir hand or foot. I will tell you
while you are resting. There is a river,—a
great, wide, beautiful river, just across the
lawn."
"Well, dear," said quiet Rose, smiling,[28]
"you knew there was a river; your mother
told us so."
"Yes, Goose, I did know it," cried Hildegarde;
"but I had not seen it, and didn't
know what it was like. It is all blue, with
sparkles all over it, and little brown flurries
where the wind strikes it. There are willows
all along the edge—"
"To hang our harps on?" inquired Rose.
"Precisely!" replied Hildegarde. "And
I think—Rose, I do see a boat-house! My
dear, this is bliss! We will bathe every
morning. You have never seen me dive,
Rose."
"I have not," said Rose; "and it would
be a pity to do it out of the window, dear,
because in the first place I should only see
your heels as you went out, and in the
second—"
"Peace, paltry soul!" cried Hilda. "Here
comes a scow, loaded with wood. The wood[29]
has been wet, and is all yellow and gleaming.
'Scow,'—what an absurd word!
'Barge' is prettier."
"It sounds so like Shalott," said Rose; "I
must come and look too.
"'By the margin, willow-veiled, Slide the heavy barges, trailed By slow horses.'"
"Yes, it is just like it!" cried Hildegarde.
"It is really a redeeming feature in you,
Rose, that you are so apt in your quotations.
Say the part about the river; that is exactly
like what I am looking at."
"Do you say it!" said Rose, coming softly
forward, and taking her seat beside her friend.
"I like best to hear you."
And Hildegarde repeated in a low tone,—
"Willows whiten, aspens quiver, Little breezes dusk and shiver Through the wave that runs forever By the island in the river Flowing down to Camelot." [30]
The two girls squeezed each other's hand
a little, and looked at the shining river, and
straightway forgot that there was anything
else to be done, till a sharp little tinkle roused
them from their dream.
"Oh!" cried Hildegarde. "Rose, how
could you let me go a-woolgathering? Just
look at my hair!"
"And my hands!" said Rose, in dismay.
"And we said we were as hungry as hunters,
and would be down in a minute. What
will Miss Bond say?"
"Well, it is all the river's fault," said Hildegarde,
splashing vigorously in the basin.
"It shouldn't be so lovely! Here, dear,
here is fresh water for you. Now the brush!
Let me just wobble your hair up for you, so.
There! now you are my pinkest Rose, and
I am all right too; so down we go."
Miss Wealthy had been seriously disturbed
when the girls did not appear promptly at[31]
sound of the tea-bell. She took her seat at
the tea-table and looked it over carefully.
"Punctuality is so important," she said,
half to herself and half to Martha, who had
just set down the teapot,—"That mat is
not quite straight, is it, Martha?—especially
in young people. I know it makes you
nervous, Martha,"—Martha did not look in
the least nervous,—"but it will probably not
happen again. If the butter were a little farther
this way! Thank you, Martha. Oh,
here you are, my dears! Sit down, pray!
You must be very hungry after—But
probably you felt the need of resting a little,
and to-morrow you will be quite fresh."
"No, it wasn't that, Cousin Wealthy," said
Hildegarde, frankly. "I am ashamed to say
that we were looking out of the window, and
the river was so lovely that we forgot all
about supper. Please forgive us this once,
for really we are pretty punctual generally.[32]
It is part of Papa's military code, you
know."
"True, my dear, true!" said Miss Wealthy,
brightening up at once. "Your father is
very wise. Regular habits are a great privilege,
really. Will you have tea, Hilda dear,
or milk?"
"Oh, milk, please!" said Hilda. "I am
not to take tea till I am twenty-one, Cousin
Wealthy, nor coffee either."
"And a very good plan," said Miss Wealthy,
approvingly. "Milk is the natural beverage—will
you cut that pie, dear, and help Rose,
and yourself?—for the young. When one
is older, however, a cup of tea is very comforting.
None for me, thank you, dear. I
have my little dish of milk-toast, but I
thought the pie would be just right for you
young people. Martha's pastry is so very
light that a small quantity of it is not
injurious."[33]
"Rose!" said Hildegarde, in tones of
hushed rapture, "it is a chicken-pie, and
it is all for us. Hold your plate, favored
one of the gods! A river, a boat-house, and
chicken-pie! Cousin Wealthy, I am so glad
you asked us to come!"
"Are you, dear?" said Miss Wealthy,
looking up placidly from her milk-toast,
"Well, so am I!"[34]
CHAPTER III.
THE ORCHARD.
Next morning, when breakfast was over,
Miss Wealthy made a little speech, giving
the two girls the freedom of the place.
"You will find your own way about, my
dears," she said. "I will only give you
some general directions. The orchard is to
the right, beyond the garden. There is a
pleasant seat there under one of the apple-trees,
where you may like to sit. Beyond
that are the woods. On the other side of
the house is the barnyard, and the road
goes by to the village. You will find plenty
of flowers all about, and I hope you will
amuse yourselves."[35]
"Oh, indeed we shall, Cousin Wealthy!"
cried Hildegarde. "It is delight enough
just to breathe this delicious air and look
at the river."
They were sitting on the piazza, from
which the lawn sloped down to a great hedge
of Norway fir, just beyond which flowed the
broad blue stream of the Kennebec.
"How about the river, Cousin Wealthy?"
asked Hildegarde, timidly. "I thought I
saw a boat-house through the trees. Could
we go out to row?"
Miss Wealthy seemed a little flurried by
the question. "My dear," she said, and
hesitated,—"my dear, have you—do your
parents allow you to go on the water? Can
you swim?"
"Oh, yes," said Hildegarde, "I can swim
very well, Cousin Wealthy,—at least, Papa
says I can; and I can row and paddle and
sail."[36]
"Oh, not sail!" cried Miss Wealthy, with
an odd little catch in her breath,—"not sail,
my dear! I could not—I could not think
of that for a moment. But there is a row-boat,"
she added, after a pause,—"a boat
which Jeremiah uses. If Jeremiah thinks
she is perfectly safe, you can go out, if
you feel quite sure your parents would
wish it."
"Oh, I am very sure," said Hildegarde;
"for I asked Papa, almost the last thing before
we left. Thank you, Cousin Wealthy, so
much! We will be rather quiet this morning,
for Rose does not feel very strong; but
this afternoon perhaps we will try the boat.
Isn't there something I can do for you,
Cousin Wealthy? Can't I help Martha? I
can do all kinds of work,—can't I, Rose?—and
I love it!"
But Martha had a young girl in the kitchen,
Miss Wealthy said, whom she was train[37]ing
to help her; and she herself had letters
to write and accounts to settle. So
the two girls sauntered off slowly, arm in
arm; Rose leaning on her friend, whose
strong young frame seemed able to support
them both.
The garden was a very pleasant place,
with rhubarb and sunflowers, sweet peas
and mignonette, planted here and there
among the rows of vegetables, just as Jeremiah's
fancy suggested. Miss Wealthy's own
flower-beds, trim and happy with geraniums,
pansies, and heliotrope, were under the dining-room
windows; but somehow the girls liked
Jeremiah's garden best. Hildegarde pulled
some sweet peas, and stuck the winged blossoms
in Rose's fair hair, giving a fly-away
look to her smooth locks. Then she began
to sniff inquiringly. "Southernwood!" she
said,—"I smell southernwood somewhere,
Rose. Where is it?"[38]
"Yonder," said Rose, pointing to a feathery
bush not far off.
"Oh! and there is lavender too, Hilda!
Do you suppose we may pick some? I
do like to have a sprig of lavender in my
belt."
At this moment Jeremiah appeared, wheeling
a load of turf. He was "long and lank
and brown as is the ribbed sea-sand," and Hildegarde
mentally christened him the Ancient
Mariner on the spot; but he smiled sadly and
said, "Good-mornin'," and seemed pleased
when the girls praised his garden. "Ee-yus!"
he said, with placid melancholy. "I've seen
wuss places. Minglin' the blooms with the
truck and herbs was my idee, as you may
say,—'livens up one, and sobers down the
other. She laughs at me, but she don't keer,
s'long as she has all she wants. Cut ye some
mignonette? That's very favoryte with me,—very
favoryte."[39]
He cut a great bunch of mignonette; and
Rose, proffering her request for lavender, received
a nosehappy as big as she could hold in
both hands.
"The roses is just comin' on," he said.
"Over behind them beans they are. A sight
o' roses there'll be in another week. Coreopsis
is pooty, too; that's down the other side
of the corn. Curus garding, folks thinks;
but, there, it's my idee, and she don't keer."
Much amused, the girls thanked the melancholy
prophet, and wandered away into the
orchard, to find the seat that Miss Wealthy
had told them of.
"Oh, what a lovely, lovely orchard!"
cried Hildegarde, in delight; and indeed it
was a pretty place. The apple-trees were
old, and curiously gnarled and twisted, bending
this way and that, as apple-trees will.
The short, fine grass was like emerald; there
were no flowers at all, only green and brown,[40]
with the sunlight flickering through the
branches overhead. They found the seat,
which was curiously wedged into the double
trunk of the very patriarch of apple-trees.
"Do look at him!" cried Hildegarde. "He
is like a giant with the rheumatism. Suppose
we call him Blunderbore. What does twist
them so, Rose? Look! there is one with a
trunk almost horizontal."
"I don't know," said Rose, slowly. "Another
item for the ignorance list, Hilda. It
is growing appallingly long. I really don't
know why they twist so. In the forest they
grow much taller than in orchards, and go
straight up. Farmer Hartley has seen one
seventy feet high, he says."
"Let us call it vegetable rheumatism!"
said Hildegarde. "How is your poor back
this morning, ma'am?" She addressed an
ancient tree with respectful sympathy; indeed,
it did look like an aged dame bent[41]
almost double. "Have you ever tried Pond's
Extract? I think I must really buy a gallon
or so for you. And as long as you must bend
over, you will not mind if I take a little walk
along your suffering spine, and sit on your
arm, will you?"
She walked up the tree, and seated herself
on a branch which was crooked like a friendly
arm, making a very comfortable seat. "She's
a dear old lady, Rose!" she cried. "Doesn't
mind a bit, but thinks it rather does her good,—like
massage, you know. What do you
suppose her name is?"
"Dame Crump would do, wouldn't it?"
replied Rose, looking critically at the venerable
dame.
"Of course! and that ferocious old person
brandishing three arms over yonder must be
Croquemitaine,—
"'Croquemitaine! Croquemitaine! Ne dinerai pas 'vec toi!'
I think they are rather a savage set,—don't
you, Rosy?—all except my dear Dame
Crump here."
"I know they are," said Rose, in a low
voice. "Hush! the three witches are just
behind you, Hilda. Their skinny arms are
outstretched to clasp you! Fly, and save
yourself from the caldron!"
"Avaunt!" cried Hilda, springing lightly
from Dame Crump's sheltering arm. "Ye
secret, black, and midnight hags, what is 't
ye do?"
"A deed without a name!" muttered Rose,
in sepulchral tones.
"I think it is, indeed!" cried Hildegarde,
laughing. "Poor old gouty things! they can
only claw the air, like Grandfather Smallweed,
and cannot take a single step to
clutch me."
"Just like me, as I was a year ago," said
Rose, smiling.[43]
"Rose! how can you?" cried Hildegarde,
indignantly; "as if you had not always been
a white rosebush."
"On wheels!" said Rose. "I often think
of my dear old chair, and wonder if it misses
me. Hildegarde dear!"
"My lamb!" replied Hildegarde, sitting
down by her friend and giving her a little
hug.
"I wish you could know how wonderful
it all is! I wish—no, I don't wish you
could be lame even for half an hour; but
I wish you could just dream that you were
lame, and then wake up and find everything
right again. Having always walked, you
cannot know the wonder of it. To think
that I can stand up—so! and walk—so!
actually one foot before the other, just like
other people. Oh! and I used to wonder
how they did it. I don't now understand
how 'four-leggers,' as Bubble calls them,[44]
move so many things without getting mixed
up."
"Dear Rose! you are happy, aren't you?"
exclaimed Hildegarde, with delight.
"Happy!" echoed Rose, her sweet face
glowing like her own name-flower. "But
I was always happy, you know, dear. Now
it is happiness, with fairyland thrown in. I
am some wonderful creature, walking through
miracles; a kind of—Who was the fairy-knight
you were telling me about?"
"Lohengrin?" said Hildegarde. "No, you
are more like Una, in the 'Faerie Queene.'
In fact, I think you are Una."
"And then," continued Rose, "there is
another thing! At least, there are a thousand
other things, but one that I was thinking
of specially just now, when you named the
trees. That was only play to you; but, Hilda,
it used to be almost quite real for me,—that
sort of thing. Sitting there as I used,[45]
day after day, year after year, mostly alone,—for
mother and Bubble were always at work,
you know,—you cannot imagine how real
all the garden-people, as I called them, were
to me. Why, my Eglantine—I never told
you about Eglantine, Hilda!"
"No, heartless thing! you never did," said
Hildegarde; "and you may tell me this instant.
A pretty friend you are, keeping
things from me in that way!"
"She was a fair maiden," said Rose. "She
stood against the wall, just by my window.
She was very lovely and graceful, with long,
slender arms. Some people called her a
sweetbrier-bush. She was my most intimate
friend, and was always peeping in at
the window and calling me to come out.
When I came and sat close beside her in my
chair, she would bend over me, and tell me
all about her love-affairs, which gave her a
great deal of trouble."[46]
"Poor thing!" said Hildegarde, sympathetically.
"She had two lovers," continued Rose,
dreamily, talking half to herself. "One was
Sir Scraggo de Cedar, a tall knight in rusty
armor, who stood very near her, and loved
her to distraction. But she cared nothing
for him, and had given her heart to the
South Wind,—the most fickle and tormenting
lover you can imagine. Sometimes he was
perfectly charming, and wooed her in the
most enchanting manner, murmuring soft
things in her ear, and kissing and caressing
her, till I almost fell in love with him myself.
Then he would leave her alone,—oh! for
days and days,—till she drooped, poor thing!
and was perfectly miserable. And then perhaps
he would come again in a fury, and
shake and beat her in the most frightful
manner, tearing her hair out, and sometimes
flinging her right into the arms of[47]
poor Sir Scraggo, who quivered with emotion,
but never took advantage of the
situation. I used to be very sorry for Sir
Scraggo."
"What a shame!" cried Hildegarde,
warmly. "Couldn't you make her care for
the poor dear?"
"Oh, no!" said Rose. "She was very
self-willed, that gentle Eglantine, in spite of
her soft, pretty ways. There was no moving
her. She turned her back as nearly as she
could on Sir Scraggo, and bent farther and
farther toward the south, stretching her arms
out as if imploring her heartless lover to
stay with her. I fastened her back to the
wall once with strips of list, for she was spoiling
her figure by stooping so much; but she
looked so utterly miserable that I took them
off again. Dear Eglantine! I wonder if she
misses me."
"I think she was rather a minx, do you[48]
know?" said Hildegarde. "I prefer Sir
Scraggo myself."
"Well," replied Rose, "one respected Sir
Scraggo very much indeed; but he was not
beautiful, and all the De Cedars are pretty
stiff and formal. Then you must remember
he was older than Eglantine and I,—ever
and ever so much older."
"That does make a difference," said Hildegarde.
"Who were some other of your
garden people, you funniest Rose?"
"There was Old Moneybags!" replied
Rose. "How I did detest that old man! He
was a hideous old thorny cactus, all covered
with warts and knobs and sharp spines.
Dear mother was very proud of him, and she
was always hoping he would blossom, but
he never did. He lived in the house in
winter, but in spring Mother set him out in
the flower-bed, just beside the double buttercup.
So when the buttercup blossomed,[49]
with its lovely yellow balls, I played that
Old Moneybags, who was an odious old miser,
was counting his gold. Then, when the
petals dropped, he piled his money in little
heaps, and finally he buried it. He wasn't
very interesting, Old Moneybags, but the
buttercups were lovely. Then there were
Larry Larkspur and Miss Poppy. I wonder—No!
I don't believe you would."
"What I like about your remarks," said
Hildegarde, "is that they are so clear. What
do you mean by believing I wouldn't? I
tell you I would!"
"Well," said Rose, laughing and blushing,
"it really isn't anything; only—well,
I made a little rhyme about Larry Larkspur
and Miss Poppy one summer. I thought of
it just now; and first I wondered if it would
amuse you, and then I decided it wouldn't."
"You decided, forsooth!" cried Hildegarde.
"'"Who are you?" said the cater[50]pillar.'
I will hear about Larry Larkspur, if
you please, without more delay."
"It really isn't worth hearing!" said Rose.
"Still, if you want it you shall have it; so
listen!
"Larry Larkspur, Larry Larkspur, Wears a cap of purple happy; Trim and handy little dandy, Straight and smirk he stands alway.
"Larry Larkspur, Larry Larkspur, Saw the Poppy blooming fair; Loved her for her scarlet satin, Loved her for her fringèd hair.
"Sent a message by the night-wind: 'Wilt thou wed me, lady happy? For the heart of Larry Larkspur Beats and burns for thee alway.'
"When the morning 'gan to brighten, Eager glanced he o'er the bed. Lo! the Poppy's leaves had fallen; [51]Bare and brown her ugly head.
"Sore amazed stood Larry Larkspur, And his heart with grief was big. 'Woe is me! she was so lovely, Who could guess she wore a wig?'"
Hildegarde was highly delighted with the
verses, and clamored for more; but at this
moment some one was seen coming toward
them through the trees. The some one
proved to be Martha, with her sleeves
rolled up, beaming mildly through her spectacles.
She carried a tray, on which were
two glasses of creamy milk and a plate of
freshly baked cookies. Such cookies! crisp
and thin, with what Martha called a "pale
bake" on them, and just precisely the right
quantity of ginger.
"Miss Rose doesn't look over and above
strong," she explained, as the girls exclaimed
with delight, "and 't would be a pity for her
to eat alone. The cookies is fresh, and maybe
they're pretty good."[52]
"Martha," said Hildegarde, as she nibbled
a cooky, "you are a saint! Where do you
keep your aureole, for I am sure you have
one?"
"There's a pair of 'em, Miss Hilda," replied
Martha. "They build every year in
the big elm by the back door, and they do
sing beautiful."[53]
CHAPTER IV.
THE DOCTORS.
"My dears," said Miss Wealthy, as they sat
down to dinner,—the bell rang on the stroke
of one, and the girls were both ready and
waiting in the parlor, which pleased the dear
old lady very much,—"my dears, when I
made the little suggestions this morning as
to how you should amuse yourselves, I entirely
forgot to mention Dr. Abernethy. I
cannot imagine how I should have forgotten
it, but Martha assures me that I did. Dr.
Abernethy is entirely at your service in the
mornings, but I generally require him for an
hour in the afternoon. I am sure Rose will be
the better for his treatment; and I trust you[54]
will both find him satisfactory, though possibly
he may seem to you a little slow, for he
is not so young as he once was."
"Dr.—Oh, Cousin Wealthy!" exclaimed
Hildegarde, in dismay. "But we are perfectly
well! At least—of course, Rose is
not strong yet; but she is gaining strength
every day, and we have Dr. Flower's directions.
Indeed, we don't need any doctor."
Cousin Wealthy smiled. She enjoyed a
little joke as much as any one, and Dr. Abernethy
was one of her standing jokes.
"I think, my dear," she said, "that you
will be very glad to avail yourself of the
Doctor's services when once you know him.
Indeed, I shall make a point of your seeing
him once a day, as a rule." Then, seeing
that both girls were thoroughly mystified,
she added: "Dr. Abernethy is a very distinguished
physician. He gives no medicine,
his invariable prescription being a little gentle[55]
exercise. He lives—in the stable, my dears,
and he has four legs and a tail."
"Oh! oh! Cousin Wealthy, how could you
frighten us so!" cried Hildegarde. "You must
be kissed immediately, as a punishment."
She flew around the table, and kissed the
soft cheek, like a crumpled blush rose. "A
horse! How delightful! Rose, we were
wishing that we might drive, weren't we?
And what a funny, nice name! Dr. Abernethy!
He was a great English doctor,
wasn't he? And I was wondering if
some stupid country doctor had stolen his
name."
"I had rather a severe illness a few years
ago," said Miss Wealthy, "and when I was
recovering from it my physician advised me
to try driving regularly, saying that he
should resign in favor of Dr. Horse. So I
bought this excellent beast, and named him
Dr. Abernethy, after the famous physician,[56]
whom I had seen once in London, when I
was a little girl."
"It was he who used to do such queer
things, wasn't it?" said Hildegarde. "Did
he do anything strange when you saw him,
Cousin Wealthy?"
"Nothing really strange," said Miss
Wealthy, "though it seemed so to me then.
He came to see my mother, who was ill,
and bolted first into the room where I sat
playing with my doll.
"'Who's this? who's this?' he said, in a
very gruff voice. 'Little girl! Humph!
Tooth-ache, little girl?'
"'No, sir,' I answered faintly, being frightened
nearly out of my wits.
"'Head-ache, little girl?'
"'No, sir.'
"'Stomach-ache, little girl?'
"'Oh, no, sir!'
"'Then take that!' and he thrust a little[57]
paper of chocolate drops into my hand, and
stumped out of the room as quickly as he
had come in. I thought he was an ogre
at first; for I was only seven years old, and
had just been reading 'Jack and the Beanstalk;'
but the chocolate drops reassured
me."
"What an extraordinary man!" exclaimed
Rose. "And was he a very good doctor?"
"Oh, wonderful!" replied Miss Wealthy.
"People came from all parts of the world
to consult him, and he could not even go
out in the street without being clutched by
some anxious patient. They used to tell
a funny story about an old woman's catching
him in this way one day, when he was in
a great hurry,—but he was always in a
hurry,—and pouring out a long string of
symptoms, so fast that the doctor could not
get in a word edgewise. At last he shouted
'Stop!' so loud that all the people in the[58]
street turned round to stare. The old lady
stopped in terror, and Dr. Abernethy bade
her shut her eyes and put her tongue out;
then, when she did so, he walked off, and
left her standing there in the middle of the
sidewalk with her tongue out. I don't know
whether it is true, though."
"Oh, I hope it is!" cried Hildegarde, laughing.
"It is too funny not to be true."
"We had a very queer doctor at Glenfield
some years ago," said Rose. "He must have
been just the opposite of Dr. Abernethy. He
was very tall and very slow, and spoke with
the queerest drawl, using always the longest
words he could find. I never shall forget
his coming to our house once when Bubble
had the measles. He had come a day
or two before, but I had not seen him.
This time, however, I was in the room.
He sat down by the bed, and began stroking
his long chin. It was the longest chin[59]
I ever saw, nearly as long as the rest of
his face.
"'And is there any amelioration of the
symptoms this morning?' he asked Mother,—'ame-e-lioration?'
(He was very fond of
repeating any word that he thought sounded
well.)
"Poor dear mother hadn't the faintest idea
what amelioration was; and she stammered
and colored, and said she hadn't noticed any,
and didn't think the child had it. But luckily
I was in the 'Fifth Reader' then, and had
happened to have 'amelioration' in my spelling-lesson
only a few days before; so I spoke
up and said, 'Oh, yes, Dr. Longman, he is a
great deal better, and he is really hungry
to-day.'
"'Ah!' said Dr. Longman, 'craves food,
does he?—cra-aves food!'
"Just then Bubble's patience gave out.
He was getting better, and it made him so[60]
cross, poor dear! he snapped out, in his
funny way, 'I've got a bile comin' on my
nose, and it hurts like fury!'
"Dr. Longman stooped forward, put on his
spectacles, and looked at the boil carefully.
'Ah!' he said, 'furunculus,—furunculus!
Is it—ah—is it excru-ciating?'
"I can't describe the way in which he pronounced
the last word. As he said it, he
dropped his head, and looked over his spectacles
at Bubble in a way that was perfectly
irresistible. Bubble gave a sort of howl, and
disappeared under the bedclothes; and I had
a fit of coughing, which made Mother very
anxious. Dear mother! she never could see
anything funny about Dr. Longman."
At this moment Martha entered, bringing
the dessert,—a wonderful almond-pudding,
such as only Martha could make. She stopped
a moment, holding the door as if to prevent
some one's coming in.[61]
"Here's the Doctor wants terrible to come
in, Mam!" she said. "Will I let him?"
"Yes, certainly," said Miss Wealthy, smiling.
"Let the good Doctor in!"
The girls looked up in amazement, half expecting
to see a horse's head appear in the
doorway; but instead, a majestic black
"coon" cat, with waving feathery tail and
large yellow eyes, walked solemnly in, and
seeing the two strangers, stopped to observe
them.
"My dears, this is the other Doctor!" said
Miss Wealthy, bending to caress the new-comer
"Dr. Samuel Johnson, at your service.
He is one of the most important
members of the family. Doctor, I hope
you will be very friendly to these young
ladies, and not take one of your absurd
dislikes to either of them. All depends
upon the first impression, my dears!" she
added, in an undertone, to the girls. "He[62]
is forming his opinion now, and nothing
will ever alter it."
Quite a breathless pause ensued; while the
magnificent cat stood motionless, turning his
yellow eyes gravely from one to the other
of the girls. At length Hildegarde could
not endure his gaze any longer, and she said
hastily but respectfully, "Yes, sir! I have
read 'Pilgrim's Progress,' I assure you!—read
it through and through, a number of
times, and love it dearly."
Dr. Johnson instantly advanced, and rubbing
his head against her dress, purred
loudly. He then went round to Rose, who
sat opposite, and made the same demonstration
of good-will to her.
"Dear pussy!" said Rose, stroking him
gently, and scratching him behind one ear
in a very knowing manner.
Miss Wealthy drew a long breath of satisfaction.
"It is all right," she said. "Martha,[63]
he is delighted with the young ladies.
Dear Doctor! he shall have some almond-pudding
at once. Bring me his saucer,
please, Martha!"
Martha brought a blue saucer; but Miss
Wealthy looked at it with surprise and
disapproval.
"That is not the Doctor's saucer, Martha,"
she said. "Is it possible that you have
forgotten? He has always had the odd yellow
saucer ever since he was a kitten."
"I'm sorry, Mam," said Martha, gently.
"Jenny broke the yellow saucer this morning,
Mam, as she was washing it after the
Doctor's breakfast. I'm very sorry it should
have happened, Mam."
"Broke the yellow saucer!" cried Miss
Wealthy. Her voice was as soft as ever, but
Hildegarde and Rose both felt as if the Russians
had entered Constantinople. There
was a moment of dreadful silence, and then[64]
Miss Wealthy tried to smile, and began to
help to the almond-pudding. "Yes, I am
sure you are sorry, Martha!" she said;—"Hilda,
my dear, a little pudding?—and
probably Jenny is sorry too. You like the
sauce, dear, don't you? We think Martha's
almond-pudding one of her best. I should
not have minded so much if it had been
any other, but this was an odd one, and
seemed so appropriate, on account of Hogarth's
'Industrious Apprentice' done in
brown on the inside. Is it quite sweet
enough for you, my dear Rose?"
This speech was somewhat bewildering;
but after a moment Rose succeeded in separating
the part that belonged to her, and
said that the pudding was most delicious.
"Jenny broke a cup last winter, did she
not, Martha?" asked Miss Wealthy.
"A very small cup, Mam," replied Martha,
deprecatingly. "That's all she has broken[65]
since she came. She's young, you know,
Mam; and she says the saucer just slipped
out of her hand, and fell on the bricks."
Miss Wealthy shivered a little, as if she
heard the crash of the broken china. "I
cannot remember that you have broken
anything, Martha," she said, "in thirty years;
and you were young when you came to me.
But we will not say anything more, and I
dare say Jenny will be more careful in future.
The pudding is very good, Martha; and that
will do, thank you." Martha withdrew, and
Miss Wealthy turned to the girls with a sad
little smile. "Martha is very exact," she
said. "A thing of this sort troubles her extremely.
Very methodical, my good Martha!"
"Hildegarde," said Rose, wishing to turn
the subject and cheer the spirits of their
kind hostess, "what did you mean, just now,
by telling Dr. Johnson that you had read
'Pilgrim's Progress'? I am much puzzled!"[66]
Hildegarde laughed. "Oh!" she said,
"he understood, but I will explain for your
benefit. When I was a little girl I was not
inclined to like 'Pilgrim's Progress' at first.
I thought it rather dull, and liked the Fairy
Book better. I said so to Papa one day; and
instead of replying, he went to the bookcase,
and taking down Boswell's 'Life of Johnson,'
he read me a little story. I think I can say
it in the very words of the book, they made
so deep an impression on me: 'Dr. Johnson
one day took Bishop Percy's little
daughter on his knee, and asked her what
she thought of 'Pilgrim's Progress.' The
child answered that she had not read it.
'No!' replied the Doctor; 'then I would
not give one farthing for you!' And he
set her down, and took no further notice
of her.' When Papa explained to me," continued
Hildegarde, laughing, "what a great
man Dr. Johnson was, it seemed to me very[67]
dreadful that he should think me, or another
little girl like me, not worth a farthing.
So I set to work with right good-will at
'Pilgrim's Progress;' and when I was once
fairly in the story, of course I couldn't put
it down till I had finished it."
"Your father is a very sensible man," said
Miss Wealthy, approvingly. "'Pilgrim's Progress'
is an important part of a child's education,
certainly! Let me give you a little
more pudding, Hilda, my dear! No! nor
you, Rose? Then, if the Doctor is ready,
suppose we go into the parlor."
They found the parlor very cool and
pleasant, with the blinds, as usual, drawn
half-way down. Miss Wealthy drew one
blind half an inch lower, compared it with
the others, and pushed it up an eighth of
an inch.
"And what are you going to do with yourselves
this afternoon, girlies?" she asked, set[68]tling
herself in her armchair, and smelling
of her pansies, which, as usual, stood on the
little round table at her elbow.
"Rose must go and lie down at once!"
said Hildegarde, decidedly. "She must lie
down for two hours every day at first, Dr.
Flower says, and one hour by and by, when
she is a great deal stronger. And I—oh,
I shall read to her a little, till she begins to
be sleepy, and then I shall write to Mamma
and wander about. This is such a happy
place, Cousin Wealthy! One does not need
to do anything in particular; it is enough
just to be alive and well." Then she remembered
her manners, and added: "But
isn't there something I can do for you,
Cousin Wealthy? Can't I write some notes
for you,—I often write notes for Mamma,—or
wind some worsted, or do something useful?
I have been playing all day, you
know."[69]
Miss Wealthy looked pleased. "Thank
you, my dear!" she said warmly. "I shall
be very glad of your help sometimes; but
to-day I really have nothing for you to do,
and besides, I think the first day ought
to be all play. If you can make yourself
happy in this quiet place, that is all I shall
ask of you to-day. I shall probably take a
little nap myself, as I often do after dinner,
sitting here in my chair."
Obeying Hildegarde's imperative nod, Rose
left her seat by the window, half reluctantly,
and moved slowly toward the door. "It
seems wicked to lie down on such a day!"
she murmured; "but I suppose I must."
As she spoke, she heard a faint, a very faint
sigh from Miss Wealthy. Feeling instinctively
that something was wrong, she turned
and saw that the tidy on the back of the
chair she had been sitting in had slipped
down. She went back quickly, straightened[70]
it, patted it a little, and then with an apologetic
glance and smile at the old lady, went
to join Hildegarde.
"A very sweet, well-mannered girl!" was
Miss Wealthy's mental comment, as her eyes
rested contentedly on the smooth rectangular
lines of the tidy. "Two of the sweetest girls,
in fact, that I have seen for a good while.
Mildred has brought up her daughter extremely
well; and when one thinks of it,
she herself has developed in a most extraordinary
manner. A most notable and useful
woman, Mildred! Who would have thought
it?"
Rose slept in the inner bedroom, which
opened directly out of Hildegarde's, with a
curtained doorway between. It was a pretty
room, and very appropriate for Rose, as there
were roses on the wall-paper and on the soft
gray carpet. Here the ex-invalid, as she
began to call herself, lay down on the cool[71]
white bed, in the pretty summer wrapper of
white challis, dotted with rosebuds, which
had been Mrs. Grahame's parting present.
Hildegarde put a light shawl over her, and
then sat down on the window-seat.
"Shall I read or sing, Rosy?" she asked.
"Oh! but are you quite sure you don't
want to do something else, dear?" asked
Rose.
"Absolutely sure!" said Hildegarde.
"Quite positively sure!"
"Then," said Rose, "sing that pretty lullaby
that you found in the old song-book the
other day. So pretty! it is the one that
Patient Grissil sings to her babies, isn't
it?"
So Hilda sang, as follows:—
"'Golden slumbers kiss your eyes, Smiles awake you when you rise. Sleep, pretty wantons, do not cry, And I will sing a lullaby. [72]Rock them, rock them, lullaby.
"'Care is heavy, therefore sleep you; You are care, and care must keep you. Sleep, pretty wantons, do not cry, And I will sing a lullaby. Rock them, rock them, lullaby.'"
Hildegarde glanced at the bed, and saw
that Rose's eyes were just closing. Still
humming the last lines of the lullaby, she
cast about in her mind for something else;
and there came to her another song of quaint
old Thomas Dekker, which she loved even
more than the other. She sang softly,—
"'Art thou poor, yet hast thou golden slumbers? O sweet Content! Art thou rich, yet is thy mind perplexèd? O Punishment! Dost laugh to see how fools are vexèd To add to golden numbers golden numbers? O sweet Content, O sweet, O sweet Content!
"'Canst drink the waters of the crispèd spring? O sweet Content! [73]Swim'st thou in wealth, yet sink'st in thine own tears? O Punishment!
Then he that patiently Want's burden bears
No burden bears, but is a king, a king. O sweet Content, O sweet, O sweet Content.'"
Once more Hildegarde glanced at the bed;
then, rising softly and still humming the
lovely refrain, she slipped out of the room;
for Rose, the "sweet content" resting like
sunshine on her face, was asleep.[74]
CHAPTER V.
ON THE RIVER.
Hildegarde went softly downstairs, and
stood in the doorway for a few minutes,
looking about her. The house was very
still; nothing seemed to be stirring, or even
awake, except herself. She peeped into the
parlor, and saw Cousin Wealthy placidly
sleeping in her easy-chair. At her feet, on
a round hassock, lay Dr. Johnson, also sleeping
soundly. "It is the enchanted palace,"
said Hildegarde to herself; "only the princess
has grown old in the hundred years,—but
so prettily old!—and the prince would
have to be a stately old gentleman to match
her." She went out on the lawn; still there[75]
was no sound, save the chirping of grasshoppers
and crickets. It was still the golden
prime of a perfect June day; what would be
the most beautiful thing to do where all was
beauty? Read, or write letters? No! that
she could do when the glory had begun to
fade. She walked about here and there,—"just
enjoying herself," she said. She
touched the white heads of the daisies; but
did not pick them, because they looked so
happy. She put her arms round the most
beautiful elm-tree, and gave it a little hug,
just to thank it for being so stately and
graceful, and for bending its branches over
her so lovingly. Then a butterfly came fluttering
by. It was a Camberwell Beauty,
and Hildegarde followed it about a little as
it hovered lazily from one daisy to another.
"Last year at this time," she said, thinking
aloud, "I didn't know what a Camberwell
Beauty was. I didn't know any butterflies[76]
at all; and if any one had said 'Fritillary'
to me, I should have thought it was something
to eat." This disgraceful confession
was more than the Beauty could endure,
and he fluttered away indignant.
"I don't wonder!" said the girl. "But
you'd better take care, my dear. I know
you now, and I don't think Bubble has more
than two of your kind in his collection. I
promised to get all the butterflies and moths
I could for the dear lad, and if you are
too superior, I may begin with you."
At this moment a faint creak fell on her
ear, coming from the direction of the garden.
"As of a wheelbarrow!" she said. "Jeremiah!—boat!—river!—now
I know what I
was wanting to do." She ran round to the
garden; and there, to be sure, was Jeremiah,
wheeling off a huge load of weeds.
"Oh, Jeremiah!" said Hildegarde, eagerly,
"is the—do you think the boat is safe?"
Jeremiah put down his load and looked at
her with sad surprise. "The boat?" he repeated.
"She's all safe! I was down to the
wharf this mornin'. Nobody's had her out,
's I know of."
"Oh, I didn't mean that!" said Hildegarde,
laughing. "I mean, is she safe for
me to go in? Miss Bond said that I could
go out on the river, if you said it was all
right. Do say it's all right, Jeremiah!"
Jeremiah never smiled, but his melancholy
lightened several shades. "She's right
enough," he said,—"the boat. She isn't
hahnsome, but she's stiddy 's a rock. She
don't like boats, any way o' the world, but
I'll take ye down and get her out for ye."
Rightly conjecturing that the last "her"
referred to the boat, Hildegarde gladly followed
the Ancient Mariner down the path
that sloped from the garden, through a green
pasture, round to the river-bank. Here she[78]
found the boat-house, whose roof she had
seen from her window, and a gray wharf
with moss-grown piers. The tide was high,
and it took Jeremiah only a few minutes to
pull the little green boat out, and set her
rocking on the smooth water.
"Oh, thank you!" said Hildegarde. "I
am so much obliged!"
"No need ter!" responded Jeremiah, politely.
"Ye've handled a boat before, have
ye?"
"Oh, yes," she said. "I don't think I shall
have any trouble." And as she spoke, she
stepped lightly in, and seating herself, took
the oars that he handed her. "And which
is the prettiest way to row, Jeremiah,—up
river, or down?"
Jeremiah meditated. "Well," he said, "I
don't hardly know as I can rightly tell. Some
thinks one way's pooty; some thinks t' other.
Both of 'em 's sightly, to my mind."[79]
"Then I shall try both," said Hildegarde,
laughing. "Good-by, Jeremiah! I will bring
the boat back safe."
The oars dipped, and the boat shot off into
midstream. Jeremiah looked after it a few
minutes, and then turned back toward the
house. "She knows what she's about!" he
said to himself.
Near the bank the water had been a clear,
shining brown, with the pebbles showing white
and yellow through it; but out here in the
middle of the river it was all a blaze and ripple
and sparkle of blue and gold. Hildegarde
rested on her oars, and sat still for a few
minutes, basking in the light and warmth;
but soon she found the glory too strong, and
pulled over to the other side, where high
steep banks threw a shadow on the water.
Here the water was very deep, and the
rocks showed as clear and sharp beneath it
as over it. Hildegarde rowed slowly along,[80]
sometimes touching the warm stone with her
hand. She looked down, and saw little
minnows and dace darting about, here and
there, up and down. "How pleasant to be
a fish!" she thought. "There comes one
up out of the water. Plop! Did you get
the fly, old fellow?
"'They wriggled their tails; In the sun glanced their scales.'"
Then she tried to repeat "Saint Anthony's
Sermon to the Fishes," of which she was
very fond.
"Sharp-snouted pikes, Who keep fighting like tikes, Now swam up harmonious To hear Saint Antonius. No sermon beside Had the pikes so edified."
Presently something waved in the shadow,—something
moving, among the still reflections
of the rocks. Hildegarde looked up. There,[81]
growing in a cranny of the rock above her,
was a cluster of purple bells, nodding and
swaying on slender thread-like stems. They
were so beautiful that she could only sit still
and look at them at first, with eyes of delight.
But they were so friendly, and nodded
in such a cheerful way, that she soon felt
acquainted with them.
"You dears!" she cried; "have you been
waiting there, just for me to come and see
you?"
The harebells nodded, as if there were no
doubt about it.
"Well, here I am!" Hildegarde continued;
"and it was very nice of you to come. How
do you like living on the rock there? He
must be very proud of you, the old brown
giant, and I dare say you enjoy the water
and the lights and shadows, and would not
stay in the woods if you could. If I were
a flower, I should like to be one of you, I[82]
think. Good-by, dear pretties! I should like
to take you home to Rose, but it would be a
wickedness to pick you."
She kissed her hand to the friendly blossoms,
and they nodded a pleasant good-by,
as she floated slowly down stream. A little
farther on, she came to a point of rock that
jutted out into the river; on it a single pine
stood leaning aslant, throwing a perfect
double of itself on the glassy water. Hildegarde
rested in the shadow. "To be in a
boat and in a tree at the same moment,"
she thought, "is a thing that does not happen
to every one. Rose will not believe me when
I tell her; yet here are the branches all
around me, perfect, even to the smallest
twig. Query, am I a bird or a fish? Here
is actually a nest in the crotch of these
branches, but I fear I shall find no eggs in
it." Turning the point of rock, she found
on the other side a fairy cove, with a tiny[83]
patch of silver sand, and banks of fern
coming to the water's edge on either side.
Some of the ferns dipped their fronds in the
clear water, while taller ones peeped over
their heads, trying to catch a glimpse of
their own reflection.
Hildegarde's keen eyes roved among the
green masses, seeking the different varieties,—botrychium,
lady-fern, delicate hart's-tongue;
behind these, great nodding ostrich-ferns,
bending their stately plumes over their
lowlier sisters; beyond these again a tangle
of brake running up into the woods. "Why,
it is a fern show!" she thought. "This
must be the exhibition room for the whole
forest. Visitors will please not touch the
specimens!"
She pulled close to the bank. Instantly
there was a rustle and a flutter among the
ferns; a little brown bird flew out, and perching
on the nearest tree, scolded most vio[84]lently.
Very carefully Hildegarde drew the
ferns aside, and lo! a wonderful thing,—a
round nest, neatly built of moss and tiny
twigs; and in it four white eggs spotted with
brown.
"It is too good to be true," thought the
girl. "I am asleep, and I shall wake in a
moment. I haven't done anything to deserve
seeing this. Rose is good enough; I
wish she were here."
But the little brown bird was by this time
in a perfect frenzy of maternal alarm; and
very reluctantly, with an apology to the
angry matron, Hildegarde let the ferns swing
back into place, and pulled the boat away
from the bank. On the whole, it seemed the
most beautiful thing she had ever seen; but
everything was so beautiful!
The girl's heart was very full of joy and
thankfulness as she rowed along. Life was
so full, so wonderful, with new wonders, new[85]
beauties, opening for her every day. "Let
all that hath life praise the Lord!" she murmured
softly; and the very silence seemed
to fill with love and praise. Then her
thoughts went back to the time, a little
more than a year ago, when she neither
knew nor cared about any of these things;
when "the country" meant to her a summer
watering-place, where one went for two
or three months, to wear the prettiest of light
dresses, and to ride and drive and walk on
the beach. Her one idea of life was the life
of cities,—of one city, New York. A country-girl,
if she ever thought of such a thing,
meant simply an ignorant, coarse, common
girl, who had no advantages. No advantages!
and she herself, all the time, did not
know one tree from another. She had been
the cleverest girl in school, and she could not
tell a robin's note from a vireo's; as for the
wood-thrush, she had never heard of it. A[86]
flower to her meant a hot-house rose; a bird
was a bird; a butterfly was a butterfly. All
other insects, the whole winged host that fills
the summer air with life and sound, were
included under two heads, "millers" and
"bugs."
"No, not quite so bad as that!" she cried
aloud, laughing, though her cheeks burned
at her own thoughts. "I did know bees and
wasps, and I think I knew a dragon-fly when
I saw him."
But for the rest, there seemed little to say
in her defence. She was just like Peter Bell,
she thought; and she repeated Wordsworth's
lines,—
"A primrose by a river's brim A yellow primrose was to him, And it was nothing more."
Here was this little brown bird, for example.
Bird and song and eggs, all together
could not tell her its name. She[87]
drew from her pocket a little brown leather
note-book, and wrote in it, "Four white
eggs, speckled with brown; brown bird, small,
nest of fine twigs, on river-bank;" slipped
it in her pocket again, and rowed on, feeling
better. After all, it was so very much better
to know that one had been a goose, than
not to know it! Now that her eyes were
once open, was she not learning something
new every day, almost every hour?
She rowed on now with long strokes, for
the bank was steep and rocky again, and
there were no more fairy coves. Soon,
however, she came to an island,—a little
round island in the middle of the river,
thickly covered with trees. This was a good
place to turn back at, for Rose would be
awake by this time and looking for her.
First, however, she would row around the
island, and consider it from all sides.
The farther side showed an opening in[88]
the trees, and a pretty little dell, shaded by
silver birches,—a perfect place for a picnic,
thought Hildegarde. She would bring Rose
here some day, if good Martha would make
them another chicken-pie; perhaps Cousin
Wealthy would come too. Dear Cousin
Wealthy! how good and kind and pretty
she was! One would not mind growing
old, if one could be sure of being good and
pretty, and having everybody love one.
At this moment, as Hildegarde turned her
boat up river, something very astonishing
happened. Not ten yards away from her, a
huge body shot up out of the water, described
a glittering arc, and fell again, disappearing
with a splash which sent the spray flying in
all directions and made the rocks echo.
Hildegarde sat quite still for several minutes,
petrified with amazement, and, it must be
confessed, with fear. Who ever heard of
such a thing as this? A fish? Why, it was as[89]
big as a young whale! Only whales didn't
come up rivers, and she had never heard of
their jumping out of water in this insane
way. Suppose the creature should take it
into his head to leap again, and should fall
into the boat? At this thought our heroine
began to row as fast as she could, taking
long strokes, and making the boat fairly
fly through the water; though, as she
said to herself, it would not make any
difference, if her enemy were swimming in
the same direction.
Presently, however, she heard a second
splash behind her, and turning, saw the huge
fish just disappearing, at some distance down
river. She recovered her composure, and
in a few minutes was ready to laugh at her
own terrors.
Homeward now, following the west bank,
as she had gone down along the east. This
side was pretty, too, though there were no[90]
rocks nor ferny coves. On the contrary, the
water was quite shallow, and full of brown
weeds, which brushed softly against the boat.
Not far from the bank she saw the highway,
looking white and dusty, with the afternoon
sun lying on it. "No dust on my road!" she
said exultingly; "and no hills!" she added,
as she saw a wagon, at some distance, climbing
an almost perpendicular ascent. "I wonder
what these water-plants are! Rose would
know, of course."
Now came the willows that she had seen
from the window,—the "margin willow-veiled"
that had reminded her of the Lady
of Shalott. It was pleasant to row under
them, letting the cool, fragrant leaves brush
against her face. Here, too, were sweet-scented
rushes, of which she gathered an
armful for Rose, who loved them; and in
this place she made the acquaintance of a
magnificent blue dragon-fly, which alighted[91]
on her oar as she lifted it from the water,
and showed no disposition to depart. His
azure mail glittered in the sunlight; his
gauzy wings, as he furled and unfurled
them deliberately, were like cobwebs powdered
with snow. He evidently expected
to be admired, and Hildegarde could not
disappoint him.
"Fair sir," she said courteously, "I doubt
not that you are the Lancelot of dragon-flies.
Your armor is the finest I ever saw;
doubtless, it has been polished by some lily
maid of a white butterfly, or she might be
a peach-blossom moth,—daintiest of all
winged creatures. The sight of you fills
my heart with rapture, and I fain would
gaze on you for hours. Natheless, fair
knight, time presses, and if you would remove
your chivalrous self from my unworthy
oar,—really not a fit place for
your knighthood,—I should get on faster."[92]
Sir Lancelot deigning no attention to this
very civil speech, she splashed her other
oar in the water, and exclaimed, "Hi!"
sharply, whereupon the gallant knight
spread his shining wings and departed in
wrath.
And now the boat-house was near, and the
beautiful, beautiful time was over. Hildegarde
took two or three quick strokes, and
then let the boat drift on toward the wharf,
while she leaned idly back and trailed her
hand in the clear water. It had been so
perfect, so lovely, she was very loath to go
on shore again. But the thought of Rose
came,—sweet, patient Rose, wondering where
her Hilda was; and then she rowed quickly
on, and moored the boat, and clambered
lightly up the wharf.
"Good-by, good boat!" she cried.
"Good-by, dear beautiful river! I shall
see you to-morrow, the day after, every[93]
other day while I am here. I have been
happy, happy, happy with you. Good-by!"
And with a final wave of her hand, Hildegarde
ran lightly up the path that led to
the house.[94]
CHAPTER VI.
A MORNING DRIVE.
Punctually at ten o'clock the next morning
Dr. Abernethy stood before the door, with
a neat phaeton behind him; and the girls
were summoned from the piazza, where Rose
was taking her French lesson.
"My dears," said Miss Wealthy, "are you
ready? You said ten o'clock, and the clock
has already struck."
"Oh, yes, Cousin Wealthy!" cried Hildegarde,
starting up, and dropping one book on
the floor and another on the chair. "We
are coming immediately. Rose, nous allons
faire une promenade en voiture! Répétez cette
phrase!"[95]
"Nous allong—" began Rose, meekly; but
she was cut short in her repetition.
"Not allong, dear, allons, ons. Keep your
mouth open, and don't let your tongue come
near the roof of your mouth after the ll. Allons!
Try once more."
"You need not wait, Jeremiah," said Miss
Wealthy, in a voice that tried not to be
plaintive. "I dare say the young ladies will
be ready in a minute or two, and I will stand
by the Doctor till they come."
Hildegarde heard, smote her breast, flew
upstairs for their hats and a shawl and pillow
for Rose. In three minutes they were in the
carriage, but not till a kiss and a whispered
apology from Hildegarde had driven the
slight cloud—not of vexation, but of wondering
sadness; it seemed such a strange thing,
not to be ready and waiting when Dr.
Abernethy came to the door—from Miss
Wealthy's kind face.[96]
"Good-by, dear Cousin Wealthy!" and
"Good-by, dear Miss Bond!" cried the two
happy girls; and off they drove in high
spirits, while Miss Wealthy went back to the
piazza and picked up the French books,
wiped them carefully, and then went upstairs
and put them in the little bookcase in Hildegarde's
room.
"She is a very dear girl," she said, shaking
her head; "a little heedless, but perhaps all
girls are. Why, Mildred—oh! but Mildred
was an exception. I suppose," she added,
"they call me an old maid. Very likely.
Not these girls,—for they are too well-mannered,—but
people. An old maid!" Miss
Wealthy sighed a little, and put her hand up
to the pansy breastpin,—a favorite gesture
of hers; and then she went into the house,
to make a new set of bags for the curtain-tassels.
Meanwhile the girls were driving along,[97]
looking about them, and enjoying themselves
immensely. Jeremiah had given them directions
for a drive "just about so long," and
they knew that they were to turn three
times to the left and never to the right.
And first they went up a hill, from the top
of which they saw "all the kingdoms of the
earth," as Rose said. The river valley was
behind them, and they could see the silver
stream here and there, gleaming between its
wooded banks. Beyond were blue hills, fading
into the blue of the sky. But before
them—oh! before them was the wonder.
A vast circle, hill and dale and meadow,
all shut in by black, solemn woods; and beyond
the woods, far, far away, a range of
mountains, whose tops gleamed white in the
sunlight.
"There is snow on them," said Rose.
"Oh, Hildegarde! they must be the White
Mountains. Jeremiah told me that we could[98]
see them from here. That highest peak must
be Mount Washington. Oh, to think of it!"
They sat in silence for a few moments,
watching the mountains, which lay like
giants at rest.
"Rose," said Hildegarde, at length, "the
Great Carbuncle is there, hidden in some
crevice of those mountains; and the Great
Stone Face is there, and oh! so many wonderful
things. Some day we will go there,
you and I; sometime when you are quite,
quite strong, you know. And we will see
the Flume and the wonderful Notch. You
remember Hawthorne's story of the 'Ambitious
Guest'? I think it is one of the
most beautiful of all. Perhaps—who knows?—we
may find the Great Carbuncle." They
were silent again; but presently Dr. Abernethy,
who cared nothing whatever about
mountains or carbuncles, whinnied, and gave
a little impatient shake.[99]
"Of course!" said Hildegarde. "Poor
dear! he was hot, wasn't he? and the flies
bothered him. Here is our turn to the left;
a pine-tree at the corner,—yes, this must
be it! Good-by, mountains! Be sure to
stay there till the next time we come."
"What was that little poem about the
Greek mountains that you told me the other
day?" asked Rose, as they drove along,—"the
one you have copied in your commonplace
book. You said it was a translation
from some modern Greek poet, didn't you?"
"Yes," said Hildegarde; "but I don't
know what poet. I found it in a book of
Dr. Felton's at home."
She thought a moment, and then repeated
the verses,—
"'Why are the mountains shadowed o'er? Why stand they darkened grimly? Is it a tempest warring there, [100]Or rain-storm beating on them?
"'It is no tempest warring there, No rain-storm beating on them, But Charon sweeping over them, And with him the departed.'"
"Look!" she cried, a few moments after.
"There is just such a cloud-shadow sweeping
over that long hill on the left. Is it true, I
wonder? I never see those flying shadows
without thinking of 'Charon sweeping over
them.' It is such a comfort, Rose, that we
like the same things, isn't it?"
"Indeed it is!" said Rose, heartily. "But,
oh! Hilda dear, stop a moment! There is
some yellow clover. Why, I had no idea
it grew so far north as this!"
"Yellow clover!" repeated Hildegarde,
looking about her. "Who ever heard of
yellow clover? I don't see any."
"No, dear," said Rose; "it does not grow
in the sides of buggies, nor even on stone-walls.
If you could bend your lofty gaze[101]
to the ditch by the roadside, you might
possibly see it."
"Oh, there!" said Hildegarde, laughing.
"Take the reins, Miss Impudence, and I will
get them." She sprang lightly out, and returned
with a handful of yellow blossoms.
"Are they really clover?" she asked, examining
them curiously. "I had no idea
there were more than two kinds, red and
white."
"There are eight kinds, child of the city,"
said Rose, "beside melilot, which is a kind
of clover-cousin. This yellow is the hop-clover.
Dear me! how it does remind me
of my Aunt Caroline."
"And how, let me in a spirit of love inquire,
does it resemble your Aunt Caroline?
Is she yellow?"
"She was, poor dear!" replied Rose. "She
has been dead now—oh! a long time. She
was an aunt of Mother's; and once she had[102]
the jaundice, and it seems to me she was
always yellow after that. But that was
not all, Hilda. There was an old handbook
of botany among Father's books, and I used
to read it a great deal, and puzzle over the
long words. I always liked long words, even
when I was a little wee girl. Well, one day
I was reading, and Aunt Caroline happened
to come in. She despised reading, and
thought it was an utter waste of time, and
that I ought to sew or knit all the time,
since I could not help Mother with the
housework. She was very practical herself,
and a famous housekeeper. So she looked
at me, and frowned, and said, 'Well, Pink,
mooning away over a book as usual? Useless
rubbish! yer ma'd ought to keep ye
at work.' I didn't say anything; I never
said much to Aunt Caroline, because I knew
she didn't like me, and I suppose I was rather
spoiled by every one else being too good to[103]
me. But I looked down at my old book,
which was open at 'Trefolium: Clover.' And
there I read—oh, Hilda, it is really too bad
to tell!—I read: 'The teeth bristle-form'—and
hers did stick out nearly straight!—'corolla
mostly withering or persistent; the
claws'—and then I began to laugh, for it
was exactly like Aunt Caroline herself; she
was so withering, and so persistent! And I
sat there and giggled, a great girl of thirteen,
till I got perfectly hysterical. The
more I laughed, the angrier she grew, of
course; till at last she went out into the
kitchen and slammed the door after her.
But I heard her telling Mother that that gal
of hers appeared to be losing such wits as
she had,—not that 't was any great loss,
as fur as she could see. Wasn't that dreadful,
Hildegarde? Of course I was wheeled
over to her house the next day, and begged
her pardon; but she was still withering[104]
and persistent, though she said, 'Very excusable!'
at last."
"Why, Rose!" said Hildegarde, laughing.
"I didn't suppose you were ever naughty,
even when you were a baby."
"Oh, indeed I was!" answered Rose;
"just as naughty as any one else, I suppose.
Did I ever tell you how I came near
making poor Bubble deaf? That wasn't
exactly naughty, because I didn't mean to
do anything bad; but it was funny. I must
have been about five years old, and I used
to sit in a sort of little chair-cart that Father
made for me. One day Mother was washing,
and she set me down beside the baby's
cradle (that was Bubble, of course), and told
me to watch him, and to call her if he
cried. Well, for a while, Mother said, all
was quiet. Then she heard Baby fret a
little, and then came a queer sort of noise,
she could not tell what, and after that[105]
quiet again. So she thought what a nice,
helpful little girl I was getting to be;
and when she came in she said, 'Well,
Pinkie, you stopped the baby's fretting,
didn't you?'
"'Oh, yes, Mother!' I said, as pleased as
possible. 'I roared in his ear!' You may
imagine how frightened Mother was; but
fortunately it did him no harm."
Here the road dipped down into a gully,
and Dr. Abernethy had to pick his way
carefully among loose stones. Presently the
stone-walls gave place to a most wonderful
kind of fence,—a kind that even country-bred
Rose had never seen before. When
the great trees, the giants of the old forest,
had been cut, and the ground cleared for
farm-lands and pastures, their stumps had
been pulled up by the roots; and these
roots, vast, many-branched, twisted into
every imaginable shape, were locked to[106]gether,
standing edgewise, and tossing their
naked arms in every direction.
"Oh, how wonderful!" cried Hildegarde.
"Look, Rose! they are like the bones
of some great monster,—a gigantic cuttlefish,
perhaps. What huge trees they
must have been, to have such roots as
these!"
"Dear, beautiful things!" sighed Rose.
"If they could only have been left! Isn't it
strange to think of people not caring for
trees, Hilda?"
"Yes!" said Hilda, meekly, and blushing
a little. "It is strange now; but before
last year, Rose, I don't believe I ever looked
at a tree."
"Oh, before last year!" cried Rose, laughing.
"There wasn't any 'before last year.'
I had never heard of Shelley before last
year. I had never read a ballad, nor a
'Waverley,' nor the 'Newcomes,' nor any[107]thing.
Let's not talk about the dark ages.
You love trees now, I'm sure."
"That I do!" said Hildegarde. "The oak
best of all, the elm next; but I love them all."
"The pine is my favorite," said Rose.
"The great stately king, with his broad arms;
it always seems as if an eagle should be sitting
on one of them. What was that line you
told me the other day?—'The pine-tree
spreads his dark-green layers of shade.'
Tennyson, isn't it?"
"Yes," replied Hildegarde. "But it was
'Cranford' that made me think of it. And
it isn't 'pine-tree,' after all. I looked, and
found it was 'cedar.' Mr. Holbrook, you remember,—Miss
Matty's old lover,—quotes
it, when they are taking tea with him.
Dear Miss Matty! do you think Cousin
Wealthy is the least little bit like her,
Rose?"
"Perhaps!" said Rose, thoughtfully. "I[108]
think—Oh, Hilda, look!" she cried, breaking
off suddenly. "What a queer little house!"
Hildegarde checked Dr. Abernethy, who
had been trotting along quite briskly, and
they both looked curiously at the little house
on their left, which certainly was "queer,"—a
low, unpainted shanty, gray with age, the
shingles rotting off, and moss growing in
the chinks. The small panes of glass were
crusted with dirt, and here and there one
had been broken, and replaced with brown
paper. The front yard was a tangle of ribbon-grass
and clover; but a tuft of straggling
flowers here and there showed that it
had once had care and attention. There
was no sign of life about the place.
"Rose!" cried Hildegarde, stopping the
horse with a pull of the reins; "it is a
deserted house. Do you know that I have
never seen one in my life? I must positively
take a peep at it, and see what it is[109]
like inside. Take the reins, Bonne Silène,
while I go and reconnoitre the position."
She jumped out, and making her way as
best she might through the grassy tangle,
was soon gazing in at one of the windows.
"Oh!" she cried, "it isn't deserted, Rose!
At least?—well, some one has been here.
But, oh, me! oh, me! What a place! I
never, never dreamed of such a place. I—"
"What is the matter?" cried Rose. "If
you don't tell me, I shall jump out!"
"No, you won't!" said Hildegarde.
"You'd better not, Miss! but oh, dear!
who ever, ever dreamed of such a place?
My dear, it is the Abode of Dirt. Squalid
is no word for it; squalor is richness compared
to this house. I am looking—sit
still, Rose!—I am looking into a room about
as big as a comfortable pantry. There is a
broken stove in it, and a table, and a stool;
and in the room beyond I can see a bed,—at[110]
least, I suppose it is meant for a bed. Oh!
what person can live here?"
"I am coming, Hilda," said Rose. "The
only question is whether I get out with your
help or without."
"Obstinate Thing!" cried Hildegarde, flying
to her assistance. "Well, it shall see the
lovely sight, so it shall. Carefully, now;
don't trip on these long grass-loops. There!
isn't that a pretty place? Now enjoy yourself,
while I get out the tie-rein, and fasten
the good beast to a tree."
In hunting for the tie-rein under the seat
of the carriage, Hildegarde discovered something
else which made her utter an exclamation
of surprise. "Luncheon!" she cried.
"Rose, my dear, did you know about this
basket? Saint Martha must have put it in.
Turnovers, Rose! sandwiches, Rose! and, I declare,
a bottle of milk and a tin cup. Were
ever two girls so spoiled as we shall be?"
"How kind!" said Rose. "I am not in
the least hungry, but I should like a cup of
milk. Oh, Hildegarde!"
"What now?" asked that young woman,
returning with the precious basket, and applying
her nose once more to the window.
"Fresh horrors?"
"My dear," said Rose, "look! That is the
pantry,—that little cupboard, with the door
hanging by one hinge; and there isn't
anything in it to eat, except three crackers
and an onion."
Both girls gazed in silence at the forlorn
scene before them. Then they looked at
each other. Hildegarde gave an expressive
little shake to the basket. Rose smiled and
nodded; then they hugged each other a little,
which was a foolish way they had when
they were pleased. Very cautiously Hildegarde
pushed the crazy door open, and they
stood in the melancholy little hovel. All was[112]
even dirtier and more squalid than it had
looked from outside; but the girls did not
mind it now, for they had an idea, which
had come perhaps to both at the same moment.
Hilda looked about for a broom, and
finally found the dilapidated skeleton of one.
Rose, realizing at once that search for a duster
would be fruitless, pulled a double handful
of long grass from the front yard, and
the two laid about them,—one vigorously,
the other carefully and thoroughly. Dust flew
from doors and windows; the girls sneezed
and coughed, but persevered, till the little
room at last began to look as if it might
once have been habitable.
"Now you have done enough, Rosy!"
cried Hildegarde. "Sit down on the doorstep
and make a posy, while I finish."
Rose, being rather tired, obeyed. Hildegarde
then looked for a scrubbing-brush,
but finding none, was obliged to give the[113]
little black table such a cleaning as she could
with the broom and bunches of grass. Behind
the house was a lilac-bush, covered
with lovely fragrant clusters of blossoms;
she gathered a huge bunch of them, and
putting them in a broken pitcher with water,
set them in the middle of the table. Meanwhile
Rose had found two or three peonies
and some sweet-william, and with these and
some ribbon-grass had made quite a brilliant
bouquet, which was laid beside the one
cracked plate which the cupboard afforded.
On this plate the sandwiches were neatly
piled, and the turnovers (all but two, which
the girls ate, partly out of gratitude to Martha,
but chiefly because they were good)
were laid on a cluster of green leaves. As
for the milk, that, Hildegarde declared, Rose
must and should drink; and she stood over
her till she tilted the bottle back and drained
the last drop.[114]
"Oh, dear!" said Rose, looking sadly at
the empty bottle; "I hope the poor thing
doesn't like milk. It couldn't be a child,
Hildegarde, could it? living here all alone.
And anyhow he—or she—will have a better
dinner than one onion and—" But here she
broke off, and uttered a low cry of dismay.
"Oh, Hilda! Hilda! look there!"
Hildegarde turned hastily round, and then
stood petrified with dismay; for some one
was looking in at the window. Pressed
against the little back window was the face
of an old man, so withered and wrinkled that
it looked hardly human; only the eyes,
bright and keen, were fixed upon the girls,
with what they thought was a look of anger.
Masses of wild, unkempt gray hair surrounded
the face, and a fragment of old straw hat
was drawn down over the brows. Altogether
it was a wild vision; and perhaps it was not
surprising that the gentle Rose was terrified,[115]
while even Hildegarde felt decidedly uncomfortable.
They stood still for a moment,
meeting helplessly the steady gaze of the
sharp, fierce eyes; then with one impulse
they turned and fled,—Hildegarde half
carrying her companion in her strong arms.
Half laughing, half crying, they reached the
carriage. Rose tumbled in somehow, Hildegarde
flew to unfasten the tie-rein; and the
next moment they were speeding away at
quite a surprising rate, Dr. Abernethy having,
for the first time in years, received a smart
touch of the whip, which filled him with
amazement and indignation.
Neither of the girls spoke until at least
a quarter of a mile lay between them
and the scene of their terror; then, as
they came to the foot of a hill, Hildegarde
checked the good horse to a walk,
and turned and looked at Rose. One look,—and
they both broke into fits of laughter,[116]
and laughed and laughed as if they never
would stop.
"Oh!" cried Hildegarde, wiping the
tears which were rolling down her cheeks.
"Rose! I wonder if I looked as guilty as I
felt. No wonder he glowered, if I did."
"Of course you did," said Rose. "You
were the perfect ideal of a Female Burgler,
caught with the spoons in her hand; and I—oh!
my cheeks are burning still; I feel as
if I were nothing but a blush. And after all,
we were breaking and entering, Hilda!"
"But we did no harm!" said Hilda, stoutly.
"I don't much care, now we are safe out of
the way. And I'm glad the poor old glowering
thing will have a good dinner for once.
Rose, he must be at least a hundred! Did
you ever see anything look so old?"
Rose shook her head meditatively. "It's
dreadful to think of his living all alone there,"
she said. "For he must be alone. There[117]
was only one plate, you know, and that
wretched bed. Oh, Hilda!" she added, a
moment later, "the basket! we have left
the basket there. What shall we do? Must
we go back?"
"Perish the thought!" cried Hildegarde,
with a shudder half real, half playful. "I
wouldn't go back there now for the half of
my kingdom. Let me see! We will not
tell Cousin Wealthy to-day—"
"Oh, no!" cried Rose, shrinking at the
bare thought.
"Nor even to-morrow, perhaps," continued
Hildegarde. "She would be frightened, and
might expect you to be ill; we will wait a
day or two before we tell her. But Martha
is not nervous. We can tell her to-morrow,
and say that we will get another basket.
After all, we were doing no harm,—none
in the world."
But the best-laid plans, as we all know,[118]
"gang aft agley;" and the girls were not
to have the telling of their adventure in their
own way.
That evening, as they were sitting on the
piazza after tea, they heard Miss Wealthy's
voice, saying, "Martha, there is some one
coming up the front walk,—an aged man,
apparently. Will you see who it is, please?
Perhaps he wants food, for I see he has a
basket."
Hildegarde and Rose looked at each other
in terror.
"Oh, Hilda!" whispered Rose, catching
her friend's hand, "it must be he! What
shall we do?"
"Hush!" said Hildegarde. "Listen, and
don't be a goose! Do? what should he do to
us? He might recite the 'Curse of Kehama,'
but it isn't likely he knows it."
Martha, who had been reconnoitring
through a crack of the window-blind, now[119]
uttered an exclamation. "Well, of all!
Mam, it's old Galusha Pennypacker, as sure
as you stand there."
"Is it possible?" said Miss Wealthy, in a
tone of great surprise. "Martha, you must
be mistaken. Galusha Pennypacker coming
here. Why should he come here?"
But for once Martha was not ready to
answer her mistress, for she had gone to
open the door.
The girls listened, with clasped hands and
straining ears.
"Why, Mr. Pennypacker!" they heard
Martha say. "This is never you?"
Then a shrill, cracked voice broke in,
speaking very slowly, as if speech were an
unaccustomed effort. "Is there—two gals—here?"
"Two gals?" repeated Martha, in amazement.
"What two gals?"
"Gals!" said the old man's voice,—"one[120]
on 'em highty-tighty, fly-away-lookin', 'n'
the other kind o' 'pindlin'; drivin' your hoss,
they was."
"Why—yes!" said Martha, more and
more astonished. "What upon earth—"
"Here's their basket!" the old man continued;
"tell 'em I—relished the victuals.
Good-day t' ye!"
Then came the sound of a stick on the
steps, and of shuffling feet on the gravel;
and the next moment Miss Wealthy and
Martha were gazing at the guilty girls with
faces of mute amazement and inquiry which
almost upset Hildegarde's composure.
"It's true, Cousin Wealthy!" she said
quickly. "We meant to tell you—in a
little while, when you would not be worried.
We thought the house was deserted, and I
went and looked in at the window. And—it
looked so wretched, we thought we
might—"[121]
"There was only an onion and three
crackers," murmured Rose, in deprecating
parenthesis.
"We thought we might leave part of our
luncheon, for Martha had given us such a
quantity; and just when we had finished,
we saw a face at the window—oh, such a
dreadful old face!—and we ran away, and
forgot the basket. So you see, Martha," she
added, "it was partly your fault, for giving
us so much luncheon."
"I see!" said Martha, chuckling, and
apparently much amused.
But Miss Wealthy looked really frightened.
"My dear girls," she said, "it was a very imprudent
thing to do. Why, Galusha Pennypacker
is half insane, people think. A dreadful
old miser, who lives in filth and wretchedness,
while he has plenty of money hidden away,—at
least people say he has. Why, it terrifies me
to think of your going into that hovel."[122]
"Oh! Cousin Wealthy," said Hildegarde,
soothingly, "he couldn't have hurt us, poor
old thing! if he had tried. He looks at
least a hundred years old. And of course
we didn't know he was a miser. But surely
it will do no harm for him to have a good
dinner for once, and Martha's turnovers
ought really to have a civilizing effect
upon him. Who knows? Perhaps it may
make him remember nicer ways, and he
may try to do better."
Miss Wealthy was partly reconciled by
this view of the case; but she declared
that Rose must go to bed at once, as she
must be quite exhausted.
At this moment Martha, who was still
holding the basket, gave an exclamation
of surprise. "Why," she said, "there's
things in this! Did you leave these in the
basket, Miss Hilda?"
"I? No!" cried Hildegarde, wonder[123]ing.
"I left nothing at all in it. What
is there?"
All clustered eagerly round Martha, who
with provoking deliberation took out two
small parcels which lay in the bottom of
the basket, and looked them carefully over
before opening them. They were wrapped
in dirty scraps of brown paper.
"Oh! there is writing on them!" cried
Hildegarde. "Martha dear, do tell us what
it says!"
Martha studied the inscriptions for some
minutes, and then read aloud: "'The fly-away
gal' and 'the pail gal.' Well, of
all!" she cried, "it's presents, I do believe.
Here, Miss Hilda, this must be for
you."
Hildegarde opened the little parcel eagerly.
It contained a small shagreen case, which in
its turn proved to contain a pair of scissors
of antique and curious form, an ivory tab[124]let,
yellow with age, a silver bodkin, and a
silver fruit-knife, all fitting neatly in their
places; the whole case closing with a
spring. "It is the prettiest thing I ever
saw!" cried Hildegarde. "See, Cousin
Wealthy, isn't it delightful to think of
that poor old dear—But what have you,
Rose-red? You must be the 'pail gal,' of
course, though you are not pale now."
Rose opened her parcel, and found, in a
tiny box of faded morocco, an ivory thimble
exquisitely carved with minute Chinese figures.
It fitted her slender finger to perfection,
and she gazed at it with great delight,
while Miss Wealthy and Martha shook
their heads in amazement and perplexity.
"Galusha Pennypacker, with such things
as these!" cried one.
"Galusha Pennypacker making presents!"
exclaimed the other. "Well, wonders will
never cease!"[125]
"The thimble is really beautiful!" said
Miss Wealthy. "He was a seafaring man
in his youth, I remember, and he must have
brought this home from one of his voyages,
perhaps fifty or sixty years ago. Dear me!
how strangely things do come about! But,
my dear Rose, you really must go to bed
at once, for I am sure you must be quite
exhausted."
And the delighted girls went off in triumph
with their treasures, to chatter in their rooms
as only girls can chatter.[126]
CHAPTER VII.
A "STORY EVENING."
The next evening was chilly, and instead
of sitting on the piazza, the girls were glad
to draw their chairs around Miss Wealthy's
work-table and bring out their work-baskets.
Hildegarde had brought two dozen napkins
with her to hem for her mother, and Rose
was knitting a soft white cloud, which was
to be a Christmas present for good Mrs.
Hartley at the farm. As for Miss Wealthy,
she, as usual, was knitting gray stockings
of fine soft wool. They all fell to talking
about old Galusha Pennypacker, now pitying
his misery, now wondering at the tales of
his avarice. Hildegarde took out the little[127]
scissors-case, and examined it anew. "Do
you suppose this belonged to his mother?"
she asked. "You say he never married.
Or had he a sister?"
"No, he had no sister," replied Miss
Wealthy. "His mother was a very respectable
woman. I remember her, though she
died when I was quite a little girl. He had
an aunt, too,—a singular woman, who used
to be very kind to me. What is it, my
dear?" For Hildegarde had given a little
cry of surprise.
"Here is a name!" cried the girl. "At
least, it looks like a name; but I cannot
make it out. See, Cousin Wealthy, on the
little tablet! Oh, how interesting!"
Miss Wealthy took the tablet, which consisted
of two thin leaves of ivory, fitting
closely together. On the inside of one leaf
was written in pencil, in a tremulous hand.
"Ca-ira."[128]
"Is it a name?" asked Rose.
Miss Wealthy nodded. "His aunt's name,"
she said,—"Ca-iry[1] Pennypacker. Yes,
surely; this must have belonged to her.
Dear, dear! how strangely things come
about! Aunt Ca-iry we all called her,
though she was no connection of ours. And
to think of your having her scissors-case!
Now I come to remember, I used to see
this in her basket when I used to poke
over her things, as I loved to do. Dear,
dear!"
"Oh, Cousin Wealthy," cried Hildegarde,
"do tell us about her, please! How came she
to have such a queer name? I am sure
there must be some delightful story about
her."
Miss Wealthy considered a minute, then
she said: "My dear, if you will open the
fourth left-hand drawer of that chest between[129]
the windows, and look in the farther right-hand
corner of the drawer, I think you will
find a roll of paper tied with a pink ribbon."
Hildegarde obeyed in wondering silence;
and Miss Wealthy, taking the roll, held it
in her hand for a moment without speaking,
which was very trying to the girls' feelings.
At last she said,—
"There is an interesting story about Ca-iry
Pennypacker, and, curiously enough, I have
it here, written down by—whom do you
think?—your mother, Hilda, my dear!"
"My mother!" cried Hildegarde, in
amazement.
"Your mother," repeated Miss Wealthy.
"You see, when Mildred was a harum-scarum
girl—" Hildegarde uttered an exclamation,
and Miss Wealthy stopped short. "Is there
something you want to say, dear?" she asked
gently. "I will wait."
The girl blushed violently. "I beg your[130]
pardon, Cousin Wealthy," she said humbly.
"Shall I go out and stand in the entry?
Papa always used to make me, when I
interrupted."
"You are rather too big for that now, my
child," said the old lady, smiling; "and I
notice that you very seldom interrupt. It
is better never done, however. Well, as I
was saying, your mother used to make me
a great many visits in her school holidays;
for she was my god-daughter, and always
very dear to me. She was very fond of
hearing stories, and I told her all the old
tales I could think of,—among them this one
of Aunt Ca-iry's, which the old lady had told
me herself when I was perhaps ten years old.
It had made a deep impression on me, so
that I was able to repeat it almost in her
own words, in the country talk she always
used. She was not an educated woman, my
dear, but one of sterling good sense and[131]
strong character. Well, the story impressed
your mother so much that she was very
anxious for me to write it down; but as
I have no gift whatever in that way, she
finally wrote it herself, taking it from my
lips, as you may say,—only changing my
name from Wealthy to Dolly,—but making
it appear as if the old woman herself were
speaking. Very apt at that sort of thing
Mildred always was. And now, if you like,
my dears, I will read you the story."
If they liked! Was there ever a girl who
did not love a story? Gray eyes and blue
sparkled with anticipation, and there was
no further danger of interruption as Miss
Wealthy, in her soft, clear voice, began to
read the story of—
CA-IRY AND THE QUEEN.
What's this you've found? Well, now! well,
now! where did you get that, little gal? Been
rummagin' in Aunt Ca-iry's bureau, hev you?[132]
Naughty little gal! Bring it to me, honey. Why,
that little bag,—I wouldn't part with it for gold!
That was give me by a queen,—think o' that,
Dolly,—by a real live queen, 'cordin' to her own
idees,—the Queen o' Sheba.
Tell you about her? Why, yes, I will. Bring
your little cheer here by the fire,—so; and get
your knittin'. When little gals come to spend the
day with Aunt Ca-iry they allus brings their knittin',—don't
they?—'cause they know they won't
get any story unless they do. I can't have no idle
hands round this kitchen, 'cause Satan might git in,
ye know, and find some mischief for them to do.
There! now we're right comf'table, and I'll begin.
You see, Dolly, I've lived alone most o' my life,
as you may say. Mother died when I was fifteen,
and Father, he couldn't stay on without her, so he
went the next year; and my brother was settled a
good way off: so ever since I've lived here in the
old brown house alone, 'cept for the time I'm
goin' to tell ye about, when I had a boarder, and
a queer one she was. Plenty o' folks asked me to
hire out with them, or board with them, and I
s'pose I might have married, if I'd been that kind,
but I wasn't. Never could abide the thought of[133]
havin' a man gormineerin' over me, not if he was
the lord o' the land. And I was strong, and had
a cow and some fowls, and altogether I knew
when I was well off; and after a while folks
learned to let me alone. "Queer Ca-iry," they
called me,—in your grandfather's time, Dolly,—but
now it's "Aunt Ca-iry" with the hull country
round, and everybody's very good to the old
woman.
How did I come to have such a funny name?
Well, my father give it to me. He was a great
man for readin', my father was, and there was
one book he couldn't ever let alone, skurcely.
'T was about the French Revolution, and it told
how the French people tried to git up a republic
like ourn. But they hadn't no sense, seemin'ly,
and some of 'em was no better nor wild beasts,
with their slaughterin', devourin' ways; so nothin'
much came of it in the end 'cept bloodshed.
Well, it seems they had a way of yellin' round the
streets, and shoutin' and singin', "Ca-ira! Ca-ira!"
Made a song out of it, the book said, and sang it
day in and day out. Father said it meant "That
will go!" or somethin' like that, though I never[134]
could see any meanin' in it myself. Anyhow, it
took Father's fancy greatly, and when I was born,
nothin' would do but I must be christened Ca-ira.
So I was, and so I stayed; and I don't know as I
should have done any better if I'd been called
Susan or Jerusha. So that's all about the name,
and now we'll come to the story.
One day, when I was about eighteen years old,
I was takin' a walk in the woods with my dog
Bluff. I was very fond o' walkin', and so was
Bluff, and there was woods all about, twice as
much as there is now. It was a fine, clear day,
and we wandered a long way, further from home
than we often went, 'way down by Rollin' Dam
Falls. The stream was full, and the falls were a
pretty sight; and I sat lookin' at 'em, as girls do,
and pullin' wintergreen leaves. I never smell wintergreen
now without thinkin' of that day. All
of a suddent I heard Bluff bark; and lookin'
round, I saw him snuffin' and smellin' about a
steep clay bank covered with vines and brambles.
"Woodchuck!" I thought; and I called him off,
for I never let him kill critters unless they
were mischeevous, which in the wild woods they[135]
couldn't be, of course. But the dog wouldn't
come off. He stayed there, sniffin' and growlin',
and at last I went to see what the trouble was.
My dear, when I lifted up those vines and brambles,
what should I see but a hole in the bank!—a
hole about two feet across, bigger than any that
a woodchuck ever made. The edges were rubbed
smooth, as if the critter that made it was big
enough to fit pretty close in gettin' through. My
first idee was that 't was a wolf's den,—wolves
were seen sometimes in those days in the Cobbossee
woods,—and I was goin' to drop the vines
and slip off as quiet as I could, when what does
that dog do but pop into the hole right before my
eyes, and go wrigglin' through it! I called and
whistled, but 't was no use; the dog was bound
to see what was in there.
I waited a minute, expectin' to hear the wolf
growl, and thinkin' my poor Bluff would be torn
to pieces, and yet I must go off and leave him, or
be treated the same myself. But, Dolly, instead
of a wolf's growl, I heard next minute a sound that
made me start more 'n the wolf would ha' done,—the
sound of a human voice. Yes! out o' the[136]
bowels o' the earth, as you may say, a voice was
cryin' out, frightened and angry-like; and then
Bluff began to bark, bark! Oh, dear! I felt
every which way, child. But 't was clear that
there was only one path of duty, and that path
led through the hole; for a fellow creature was
in trouble, and 't was my dog makin' the trouble.
Down I went on my face, and through that hole I
crawled and wriggled,—don't ask me how, for I
don't know to this day,—thinkin' of the sarpent
in the Bible all the way.
Suddenly the hole widened, and I found myself
in a kind of cave, about five feet by six across, but
high enough for me to stand up. I scrambled to
my feet, and what should I see but a woman,—a
white woman,—sittin' on a heap o' moose and
sheep skins, and glarin' at me with eyes like two
live coals. She had driven Bluff off, and he stood
growlin' in the corner.
For a minute we looked at each other without
sayin' anything; I didn't know what upon airth
to say. At last she spoke, quite calm, in a deep,
strange voice, almost like a man's, but powerful
sweet.
Well, that was a queer beginnin', you see,
Dolly, and didn't help me much. But I managed
to say, "My dog come in, and I followed
him—to see what he was barkin' at."
"He was barkin' at me," said the woman. "Bow
down before me, slave! I am the Queen!"
And she made a sign with her hand, so commandin'-like
that I made a bow, the best way I
could. But, of course, I saw then that the poor
creature was out of her mind, and I thought
't would be best to humor her, seein' as I had
come in without an invitation, as you may say.
"Do you—do you live here, ma'am?" I asked,
very polite.
"Your Majesty!" says she, holdin' up her head,
and lookin' at me as if I was dirt under her feet.
"Do you live here, your Majesty?" I asked
again.
"I am stayin' here," she said. "I am waitin'
for the King, who is comin' for me soon. You
did not meet him, slave, on your way hither?"
"What king was your Majesty meanin'?" says I.
"King Solomon, of course!" said she. "For
what lesser king should the Queen of Sheba wait?"
"To be sure!" says I. "No, ma'am,—your[138]
Majesty, I mean,—I didn't meet King Solomon.
I should think you might find a more likely place
to wait for him in than this cave. A king wouldn't
be very likely to find his way in here, would he?"
She looked round with a proud kind o' look.
"The chamber is small," she said, "but richly
furnished,—richly furnished. You may observe,
slave, that the walls are lined with virgin gold."
She waved her hand, and I looked round too
at the yellow clay walls and ceilin'. You never
could think of such a place, Dolly, unless you'd
ha' seen it. However that poor creature had
fixed it up so, no mortal will ever know, I expect.
There was a fireplace in one corner, and a hole
in the roof over it. I found out arterwards that
the smoke went out through a hollow tree that
grew right over the cave. There was a fryin'-pan,
and some meal in a kind o' bucket made o'
birch-bark, some roots, and a few apples. All
round the sides she'd stuck alder-berries and
flowers and pine-tassels, and I don't know what
not. There was nothin' like a cheer or table,
nothin' but the heap o' skins she was settin' on,—that
was bed and sofy and everything else
for her, I reckon.[139]
And she herself—oh, dear! it makes me want
to laugh and cry, both together, to think how that
unfortinit creature was rigged up. She had a
sheepskin over her shoulders, tied round her neck,
with the wool outside. On her head was a crown
o' birch-bark, cut into p'ints like the crowns in
pictures, and stained yeller with the yeller clay,—I
suppose she thought it was gold,—and her
long black hair was stuck full o' berries and leaves
and things. Under the sheepskin she had just
nothin' but rags,—such rags as you never seed
in all your days, Dolly, your mother bein' the
tidy body she is. And moccasins on her feet,—no
stockin's; that finished her Majesty's dress.
Well, poor soul! and she as proud and contented
as you please, fancyin' herself all gold and
di'monds.
I made up my mind pretty quick what was the
right thing for me to do; and I said, as soothin' as
I could,—
"Your Majesty, I don't reelly advise you to wait
here no longer for King Solomon. I never seed
no kings round these woods,—it's out o' the line
o' kings, as you may say,—and I don't think he'd
be likely to find you out, even if he should stroll[140]
down to take a look at the falls, same as I did.
Haven't you no other—palace, that's a little
more on the travelled road, where he'd be likely
to pass?"
"No," she said, kind o' mournful, and shakin'
her head,—"no, slave. I had once, but it was
taken from me."
"If you don't mind my bein' so bold," I said,
"where was you stayin' before you come here?"
"With devils!" she said, so fierce and sudden
that Bluff and I both jumped. "Speak not of
them, lest my wrath descend upon you."
This wasn't very encouragin'; but I wasn't a
bit frightened, and I set to work again, talkin' and
arguin', and kind o' hintin' that there'd been some
kings seen round the place where I lived. That
weren't true, o' course, and I knew I was wrong,
Dolly, to mislead the poor creature, even if 't was
for her good; but I quieted my conscience by
thinkin' that 't was true in one way, for Hezekiah
King and his nine children lived not more 'n a
mile from my house.
Well, to make a long story short, I e'en persuaded
the Queen o' Sheba to come home with
me, and stay at my house till King Solomon[141]
turned up. She didn't much relish the idee of
staying with a slave,—as she would have it I
was,—but I told her I didn't work for no
one but myself, and I wasn't no common kind
o' slave at all; so at last she give in, poor soul,
and followed me as meek as a lamb through the
hole, draggin' her big moose-skin—which was
her coronation-robe, she said, and she couldn't
leave it behind—after her, and Bluff growlin'
at her heels like all possessed.
Well, I got her home, and gave her some supper,
and set her in a cheer; and you never in all your
life see any one so pleased. She looked, and looked,
and you'd ha' thought this kitchen was Marble
Halls like them in the song. It did look cheerful
and pleasant, but much the same as it does now,
after sixty years, little Dolly. And if you'll
believe it, it's this very arm-cheer as I'm
sittin' in now, that the Queen o' Sheba sot in.
It had a flowered chintz cover then, new and
bright. Well, she sat back at last, and drew a
long breath.
"You have done well, faithful slave!" she said.
"This is my own palace that you have brought me
to. I know it well,—well; and this is my throne,[142]
from which I shall judge the people till the King
comes."
This is what the boys would call "rather cool;"
but I only said, "Yes, your Majesty, you shall
judge every one there is to judge,"—which was
me and Bluff, and Crummy the cow, and ten fowls,
and the pig. She was just as pleasant and condescendin'
as could be all the evenin', and when
I put her to bed in the fourposter in the spare
room, she praised me again, and said that when
the King came she would give me a carcanet of
rubies, whatever that is.
Just as soon as she was asleep, the first thing
that I did was to open the stove and put her rags
in, piece by piece, till they was all burnt up. The
moose-skin, which was a good one, I hung out on
the line to air. Then I brought out some clothes
of Mother's that I'd kep' laid away,—a good calico
dress and some underclothing, all nice and fresh,—and
laid them over the back of a cheer by her bed.
It seemed kind o' strange to go to bed with a
ravin' lunatic, as you may say, in the next room;
but I knew I was doin' right, and that was all
there was to it. The Lord would see to the rest,
I thought.[143]
Next mornin' I was up bright and early, and
soon as I'd made the fire and tidied up and got
breakfast under way, I went in to see how her
Majesty was. She was wide awake, sittin' up
in bed, and lookin' round her as wild as a hawk.
Seemed as if she was just goin' to spring out o'
bed; but when she saw me, she quieted down,
and when I spoke easy and soothin' like, and
asked her how she'd slept, she answered pleasant
enough.
"But where are my robes?" said she, pointin'
to the clothes I'd laid out. "Those are not my
robes."
"They's new robes," I said, quite bold. "The
old ones had to be taken away, your Majesty.
They weren't fit for you to wear, really,—all
but the coronation robe; and that's hangin' on
the line, to—to take the wrinkles out."
Well, I had a hard fight over the clothes; she
couldn't make up her mind nohow to put 'em on.
But at last I had an idee. "Don't you know," I
said, "the Bible says 'The King's Daughter is
all radiant within, in raiment of wrought needlework'?
Well, this is wrought needlework, every
bit of it."[144]
I showed her the seams and the stitches; and,
my dear, she put it on without another word, and
was as pleased as Punch when she was dressed
up all neat and clean. Then I brushed her hair
out,—lovely hair it was, comin' down below her
knees, and thick enough for a cloak, but matted
and tangled so 't was a sight to behold,—and
braided it, and put it up on top of her head like
a sort o' crown, and I tell you she looked like a
queen, if ever anybody did. She fretted a little
for her birch-bark crown, but I told her how
Scripture said a woman's glory was her hair, and
that quieted her at once. Poor soul! she was real
good and pious, and she'd listen to Scripture
readin' by the hour; but I allus had to wind up
with somethin' about King Solomon.
Well, Dolly, the Queen o' Sheba stayed with
me (I must make my story short, Honey, for your
ma'll be comin' for ye soon now) three years;
and I will say that they was happy years for both
of us. Not yourself could be more biddable than
that poor crazy Queen was, once she got wonted
to me and the place. At first she was inclined
to wander off, a-lookin' for the King; but bimeby
she got into the way of occupyin' herself, spinnin'[145]—she
was a beautiful spinner, and when I told
her 't was Scriptural, I could hardly get her away
from the wheel—and trimmin' the house up with
flowers, and playin' with Bluff, for all the world
like a child. And in the evenin's,—well, there!
she'd sit on her throne and tell stories about her
kingdom, and her gold and spices, and myrrh and
frankincense and things, and all the great things
she was goin' to do for her faithful slave,—that
was me, ye know; she never would call me anything
else,—till it all seemed just as good as true.
'T was true to her; and if 't had been really true
for me, I shouldn't ha' been half so well off as in
my own sp'ere; so 't was all right.
My dear, my poor Queen might have been with
me to this day, if it hadn't been for the meddlesomeness
of men. I've heerd talk o' women
meddling, and very likely they may, when they
live along o' men; but it don't begin with women,
nor yet end with 'em. One day I'd been
out 'tendin' to the cow, and as I was comin' back
I heerd screams and shrieks, and a man's voice
talkin' loud. You may believe I run, Dolly, as
fast as run I could; and when I came to the
kitchen there was Hezekiah King and a strange[146]
man standin' and talkin' to the Queen. She was
all in a heap behind the big chair, poor soul,
tremblin' like a leaf, and her eyes glarin' like
they did the fust time I see her; and she didn't
say a word, only scream, like a panther in a trap,
every minute or two.
I steps before her, and "What's this?" says I,
short enough.
"Mornin', Ca-iry," says Hezekiah, smilin' his
greasy smile, that allus did make me want to
slap his face. "This is Mr. Clamp, from Coptown.
Make ye acquainted with Miss Ca-iry
Pennypacker, Mr. Clamp. I met up with Mr.
Clamp yesterday, Ca-iry, and I was tellin' him
about this demented creatur as you've been
shelterin' at your own expense the last three
years, as the hull neighborhood says it's a shame.
And lo! how myster'ous is the ways o' Providence!
Mr. Clamp is sup'n'tendent o' the Poor
Farm down to Coptown, and he says this woman
is a crazy pauper as he has had in keer for
six year, ever since she lost her wits along o'
her husband bein' drownded. She run away
three year ago last spring, and he ain't heard
nothin' of her till yisterday, when he just chanced[147]
to meet up with me. So now he's come as in
dooty bound, she belongin' to the deestrick o'
Coptown, to take her off your hands, and thank
ye for—"
He hadn't no time to say more. I took him by
the shoulders,—I was mortal strong in those days,
Dolly; there wasn't a man within ten miles but I
could ha' licked him if he'd been wuth it,—and
shot him out o' the door like a sack o' flour. Then
I took the other man, who was standin' with his
mouth open, for all the world like a codfish, and
shot him out arter him. He tumbled against
Hezekiah, and they both went down together,
and sat there and looked at me with their mouths
open.
"You go home," says I, "and take care o' yourselves,
if you know how. When I want you or
the like o' you, I'll send for you. Scat!" And I
shut the door and bolted it, b'ilin' with rage, and
came back to my poor Queen.
She was down on the floor, all huddled up in a
corner, moanin' and moanin', like a dumb beast that
has a death wound. I lifted her up, and tried to
soothe and quiet her,—she was tremblin' all over,—but
't was hard work. Not a word could I get[148]
out of her but "Devil! Devil!" and then "Solomon!"
over and over again. I brought the Bible,
and read her about the Temple, and the knops and
the flowers, and the purple, and the gold dishes, till
she was quiet again; and then I put her to bed,
poor soul! though 't was only six o'clock, and sat
and sang "Jerusalem the Golden" till she dropped
off to sleep. I was b'ilin' mad still, and besides I
was afraid she'd have a fit o' sickness, or turn
ravin', after the fright, so I didn't sleep much
myself that night. Towards mornin', however, I
dropped off, and must have slept sound; for when
I woke it was seven o'clock, the sun was up high,
the door was swingin' open, and the Queen o'
Sheba was gone.
Don't ask me, little Dolly, how I felt, when I
found that poor creature was nowhere on the
place. I knew where to go, though. Something
told me, plain as words; and Bluff and I, we made
a bee-line for the Rollin' Dam woods. The dog
found her first. She had tried to get into her hole,
but the earth had caved in over it; so she had laid
down beside it, on the damp ground, in her nightgown.
Oh, dear! oh, dear! How long she'd
been there, nobody will ever know. She was in a[149]
kind o' swoon, and I had to carry her most o' the
way, however I managed to do it; but I was mortal
strong in those days, and she was slight and
light, for all her bein' tall. When I got her home
and laid her in her bed, I knowed she'd never
leave it; and sure enough, before night she was
in a ragin' fever. A week it lasted; and when it
began to go down, her life went with it. My poor
Queen! she was real gentle when the fiery heat
was gone. She lay there like a child, so weak and
white. One night, when I'd been singin' to her a
spell, she took this little bag from her neck, where
she'd allus worn it, under her clothes, and giv' it
to me.
"Faithful slave," she said,—she couldn't speak
above a whisper,—"King Solomon is comin' for me
to-night. I have had a message from him. I leave
you this as a token of my love and gratitude. It is
the Great Talisman, more precious than gold or
gems. Open it when I am gone. And now, good
slave, kiss me, for I would sleep awhile."
I kissed my poor dear, and she dozed off peaceful
and happy. But all of a sudden she opened
her eyes with a start, and sat up in the bed.
"Solomon!" she cried, and held out her arms[150]
wide. "Solomon, my King!" and then fell back
on the piller, dead.
There, little Dolly! don't you cry, dear! 'T was
the best thing for the poor thing. I opened the
bag, when it was all over, and what do you think
I found? A newspaper slip, sayin', "Lost at sea,
on March 2, 18—, Solomon Marshall, twenty-seven
years," and a lock o' dark-brown hair.
Them was the Great Talisman. But if true love
and faith can make a thing holy, this poor little
bag is holy, and as such I've kept it.
There's your ma comin', Dolly. Put on your
bonnet, Honey, quick! And see here, dear! you
needn't tell her nothin' I said about Hezekiah
King, I clean forgot he was your grandfather.